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"Portre Ressami" is your highest scoring image on DPC. One of the best portraits I have seen anywhere, let alone on DPC. Take us through the studio setup for this image. Did you arrange model clothing? What kind of instruction did you have to give your model? Have you worked with her before?
 "Portre Ressami"
Thank's for the compliment! I got the idea for that shot whilst on holiday in Mallorca, Spain. Nastya and I were in an internet café checking out our current scores (even on holiday we were clicking the update button :-) ) and we saw that the next challenge was "portraits".
 "He Never Came"
Nastya said she was going to beat me in the portraits challenge, so of course I spent the rest of the holiday thinking up what I would shoot. Nastya bought herself a scarf (the one in the portrait) which I liked and decided to use in my photo. One of my favourite photographers is Steve McCurry, I thought of his famous photo of the Afghan girl, so I decided to do something along that line.
The photo itself I shot in the studio where Nastya works. Nastya helped me with the lighting, I think we used three soft boxes from the sides and above. We wrapped the scarf around her head to give her a kind of "Middle East" look, some light make-up and that was all. I think I only took about 8 or 9 shots all together. The model is Pia, she is 16 and has amazing eyes. I have used her once before on the photo "He Never Came".
My personal favourite of all your images is "Zero spot editing.. How?". I have often asked friends if they know how it was done. No-one has picked it yet. After looking at it closely, with explanation in hand, it becomes blindingly obvious. How did you get the idea for this? What was the hardest thing to get right in this shot? How many takes did you need to get it right?
 "Zero spot editing. How?"
That shot turned out to be a real disaster! I have an aquarium, no fish, just an aquarium which I use for photography. I had it filled with water for the martini glass shot and left a little hose hanging outside of it the night after I had done the shot. Overnight 120 liters of water siphoned out of the aquarium and onto the living room floor!!! It wasn't a pretty sight :-)
The idea I got from something I saw once in a magazine and I wanted to do it differently. It wasn't all that difficult actually, the hardest part was blowing through the rubber hose to get the right amount of air bubbles rising into the glass and pushing the shutter at the right time. I think I took about 25 shots for that one.
You have shot a few partial nude/erotic pieces, like "Sun Basker", "Daniela" and "Alina". What do you feel is important with this type of shot? What was your lighting setup for these shots? What advice can you give for people attempting this type of photography?
 "Sun Basker"
Nude photography is something I would like to do more of in future, along with more fashion photography. It is still fairly new for me and I find it a little difficult to ask girls to take their clothes off for me :-) Sun Basker was my entry for the nude challenge, the model was Julia the same model as I used for X-ray Frames.
 "Daniela"
We went to an abandoned quarry for that shoot and the sun was pretty much overhead and harsh so not really adequate for such a shooting. It was the first time I ever used dodging and burning to get the image right. Nastya's entry Stone Aged for that challenge is the same model in the same quarry.
Daniela just wanted photos for her portfolio, it is all studio work using soft boxes and umbrellas etc. Alina is new. She is a Russian girl I met from Cologne, 16 years old and has a lot of potential. I will do a lot more work with her soon. So far I have only done one photo shoot with her which we did out in the wheat fields and some portrait shots in the studio.
 "Alina"
I also used her for the cloning shot Fight for the Groom.
Advice for this kind of photography? The most important thing is to have ideas before the shooting. Very important! It will hardly ever work if the model turns up and you don't have any concrete ideas of what you want to do with her. I always write a list of my ideas before hand with some sketches, stuff like that.
Some of your recent pictures, that have been heavily modified in photoshop, have provided inspiration for many people. Can you give budding digital artists any tips for this type of work?
 "Egghead"
 "Rituals"
I had been working with Photoshop long before I started with photography, I started way back with Photoshop 4 and updated everytime a new version came out. I have always liked graphical work and the possibility to combine digital photography with Photoshop was something that I welcomed with open arms. However it is only something I do for fun and not something I would pursue as my future in photography. Digital manipulation can create some amazing images, but it isn't really photography in my eyes. It is just a way of creating illusions. Fun, but that is all!
What has been the hardest image to photograph, out of all of your entries on DPC? Why?
 "Ice Fall"
 "Gotta Light"
I think the photos where split second timing is concerned. For example "Ice Fall", "Gotta Light" and "Fingering Ghost" which require perfect coordination to get the desired result.
"X-Ray frames" was a unique concept that was flawlessly executed. Was it difficult in deciding on the composition of this piece? Was it hard to direct the model to get what you needed? How do you feel personally about this photo?
 "X-ray frames"
Actually I wanted to do something completely different for the multi image composition challenge. I wanted Julia to do the "see no evil, hear no evil, speak no evil" trilogy. But as I was shooting it I wasn't happy with the results at all. It didn't have the kick I wanted. It wasn't until later in the evening, after we had all had a lot of red wine that I decided to do the X-ray Frames idea. Photographer and model were definitely not sober for those shots :-)
Some of your cloning pictures like 'My brothers and me', 'All my brothers' and 'multiple kiwis', represent the fantastic side people love to see in trick photography. I think I speak for all of DPC when I ask you, 'Whats next?'
 "All my brothers"
Hmmm. I am not that sure to tell the truth.
 "multiple kiwis!"
Mostly those ideas just pop into my head and I go out and do it straight away. Zoomdak did a cloning photo a while back called Brothers in the Garden (part 2) where he had two clones shaking hands. I thought about that and wanted to try something with clones interacting. It is a difficult process and I shall try to refine it more. I tried one photo trying interaction with Fight For the Groom, where two brides are arm wrestling in a battle to win the groom. It turned out okay, but I need to have it look more realistic. In that photo you can see there is no pressure on the brides' arms and the connection of the hands is not realistic enough. My next cloning photos will probably be more along that line. I do have a couple of other ideas for my brothers photos but there will be a lot of work involved so I'll be putting that off for a while.
You have provided some great photography with the simplest of images. Some examples are "H2O", "Overpainted" and "Gotta light?". Why do you think simplicity works so well with these images? What advice can you give to people who want to photograph simplistic images, and achieve results such as these?
 "H2O"
 "Overpainted"
Simplicity is really the key to good photography, well for me anyway. Everything I have seen that I really like is so simple! Look at most of the blue ribbon winners here on DPC and you will see that they all possess that element of simplicity. One main subject standing out. It is always a winner. Cluttered and busy images just don't come over well.
Your first entry was "Road to Fogginess". If you could critique that now, what would you say? Would you change anything?
 "Road to Fogginess"
I wouldn't change it at all, I still like that photo a lot. I was surprised at myself, I had next to no idea about photography or any rules etc, it was just something I did so that I could enter a photo here. Once I saw my score my obssession with numbers and statistics took over and I was hooked. My only critique would be that it is too centered I suppose.
I think one of your newer images, "Silence", is simply outstanding. Can you describe the photo shoot, how you worked with the model, and why you chose this location?
 "Silence"
"Silence" was a photo taken during the first photoshooting with Alina. My
original idea was to shoot something similar to the scene in the film "Gladiator" where someone is walking though a wheat field running the tips
of their fingers over the top of the wheat. Some of those ones turned out
okay too, but this is the one that really had some kick to it. I love the
way she is so graceful and the way her hair is so similar to the wheat. It
was an overcast day so the lighting was good. I was standing on top of a car
and Nastya was holding a reflector in front of her face to lighten it up a little.
"Can of worms" is another one of your popular images. Can you explain the lighting and composition for this shot?
 "Can of worms"
This was the one shot I was worried about turning off those people who liked voting while eating breakfast :-) I shot it on the living room table using white photoboard for a background and a soft box to the front left. Taking the photo was the easy part actually, the most difficult part was washing each worm separately so that there was not a speck of dirt on them.
Out of all 8 images you have come first on, what surprised you the most?
I was surprised on every one of them! I didn't expect any of them to win! But the one that surprised me the most I suppose was the can of worms.
If you would like to explain any more of your images in more depth, please feel free.
I explained most of them in the details of each photo. |