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Showing posts 126 - 150 of 308, (reverse)
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11/16/2007 12:58:21 PM · #126
Originally posted by Bernard_Marx:

So...

Do any of you have any portraits taken with the methods described above (strobes with CTO gels combined with hot lights)?

If so, I would love to see them.

I haven't used CTO gels to balance hot lights, but I frequently use gels when shooting outside. As Gordon described above, I'll use a gel on my flash and then adjust the white balance to suit my needs. Setting the white balance for tungsten in the woods and then letting everything in the back shift of a darker blue green can make the subject really pop while setting a more interesting mood.


Message edited by author 2007-11-16 14:32:13.
11/16/2007 02:03:59 PM · #127
Setting the white balance for tungsten in the woods and then letting everything in the back shift of a darker blue green can make the subject really pop while setting a more interesting mood.

I'll have to try that. I remember being told to do that by a professional some months back and I never did adjust my white balance. Thanks for reminding me.

One more I did several months back. A beautiful young model to work with.

11/16/2007 02:08:58 PM · #128
Well, I have enjoyed the strobe+gel conversation. Thanks.

I would encourage those who post here to describe their equipment setups and settings etc. etc. whathaveyou.
11/16/2007 02:37:15 PM · #129
Originally posted by Nusbaum:


I haven't used CTO gels to balance hot lights, but I frequently use gels when shooting outside. As Gordon described above, I'll use a gel on my flash and then adjust the white balance to suit my needs. Setting the white balance for tungsten in the woods and then letting everything in the back shift of a darker blue green can make the subject really pop while setting a more interesting mood.


Very interesting. I too will have to try this. And thank you for posting the representative.
11/16/2007 02:59:08 PM · #130
And here is a recent outtake.


Would anyone care to make suggestions on what they might have done differently?

BG - Big black muslin.
Light - 580EX on camera as master. Gary Fong diffuser domed. Pointing at subject. 430EX as slave on stand with shoot-thru brolly. Set above the subject's head and angled down. White reflector on camera right.

Lens - Canon EF 50mm f/1.8 II.

Settings - f8 at 1/250 (I think). ISO is always 100.

Subject - Fake blood and eye makeup. I sprayed him down with Pam to get that sweaty look!

Edit - I did my usual edits. Then I created a grunge layer and backed it way off (grunge light).

11/16/2007 04:20:11 PM · #131
If you wouldn't mine telling me how you do this I would greatly appreciate it. Ive been trying to figure it out myself, but that hasn't worked so far. Thanks!!!

Originally posted by timfythetoo:

Originally posted by timfythetoo:

Another from this morning. Unfortunately my choices in models are limited. Most of my test work is done with my kids. Fortunately for me they are usually more than willing.
[thumb]613507[/thumb]

And a tweak on the background using a texture overlay -

11/16/2007 04:28:06 PM · #132
Originally posted by bennettjamie:

If you wouldn't mine telling me how you do this I would greatly appreciate it. Ive been trying to figure it out myself, but that hasn't worked so far. Thanks!!!

I edited my details. I found the texture layer from the overlay thread going on in side tournaments right now. If I am not mistaken there is a tutorial type description somewhere in that thread. Definitely more details about it in man of the images posted. Let me know if you need more help.
11/16/2007 04:28:28 PM · #133

SB-25, shot through an IKEA umbrella, up high to camera right.


SB-25, shot through an IKEA umbrella, up high to camera right.

Unfortuantely I have yet to buy a real photographic umbrella. £1.99 from IKEA is a pretty good alternative tho!
11/16/2007 04:33:38 PM · #134
Originally posted by CalamitysMaster00:

Posting Guidelines
1. Upload your images(s) to your dpc portfolio.
2. Update the image detail to include your goals as well as the techniques used.
3. Post a thumbnail(s) to the image her so we can have a look.
Note: If you post more than one image, the collection should make sense as a series

I own my own studio and have been doing portraits across the Midwest now for over 3 years. I try and stay out of the studio as much as possible as I think its a bit of an oxymoron to have a true portrait staged. :)






I believe the photos have all the editing and/ore technique I used so they should already be detailed for you. :)


Thanks for all the comments guys, I really appreciate it.
11/16/2007 09:40:38 PM · #135
One more from today, and it's one that I feel sadly missed it's mark. It was a spur of the moment attempt at a particular pose that I wanted to try (baby feet in mom's hands), but we were dodging 2 5-yr olds, a 4-yr old, a 3-yr old and an 11-month old while trying to do this. *lol* Not the serene and calm setting I'd have liked.

Anyhow - sat mom on a stool next to my west-facing living-room window a little before noon today, draped a navy-blue shirt over her lap, and had her hold her daughter's feet.

I have :
converted from RAW
selected background, desaturated and darkened
selected the dress, used levels to ditch the drab look, and removed colour to get rid of a blue cast on the edge.
used hue/sat layers to convert to B&W
duplicate layer applied in "screen" mode at 60%
applied a vignette

Anyhow - this is the resized and web-saved version of what I came up with.

[thumb]613933[/thumb]
11/16/2007 11:27:02 PM · #136
This is a cool thread. going to keep my eye on this one. I would love to join but don't have a lot of time to goof off on here.
11/17/2007 12:19:06 AM · #137
Originally posted by kashi:



[thumb]613933[/thumb]


This is my version of "baby's feet with parent's hand"


I laid him on a receiving blanket in direct sunlight (hence the strong shadows), and held his foot with my left hand while trying to take the picture with my right. He looks serene and sleeping, but he was wiggling pretty good. I look at it now, as a photographer, with a more experienced eye, and wish I would have done some things differently, but I also look at it as a father, and wouldn't change a thing.
11/17/2007 10:42:12 AM · #138
ok, so here is some of mine.

this one is new


and these are some older ones



11/17/2007 10:46:13 AM · #139
I was doing this a while back, though the info is still good.
(I teach a class at the studio based off of some of these now)here

11/17/2007 09:47:28 PM · #140
[thumb]614242[/thumb]

Portrait lighting included 4 lights, two to the left and two to the right, in a square format with the lights in each corner of the square. I was going for a high key look and wanted some really bright whites to contrast with the pink tutu.

edit for sloppy fingers

Message edited by author 2007-11-17 21:52:00.
11/17/2007 11:20:33 PM · #141
Here's a couple of recent shots from me...



Both taken for another photo competition, and both using my new home-made softbox as the only significant light source.

The are slightly out of the standard definition of a portrait shot, as they include some action or activity. Technically speaking, do they still qualify as portraits? I don't know.

I have some more, but I can't show them yet. :) I'll also be doing some portraits for some relatives sometime in the next month, and they will be more in the line of static portraits, so I'll be doing some research on posing and arranging people before then. Should be fun.
11/18/2007 08:50:36 AM · #142
This one is new


I love full-frame face shots. You might want to clean up all of the dust - especially behind the subject's left-side lens. Those are simple clones. There is also an odd reflection in the top corner of the other lens with some blue coloration - I'd clone that away as well.

I love the grungy chair and bg in the bottom pic - is that in studio?

11/18/2007 09:02:45 AM · #143
A few from yesterday. Austin has an annual studio tour - 120 studios open their doors to the public. I walked around a few of them and took some portraits of the artists, with their art. This is the sort of portraiture I really enjoy - just using the light that I can find in a place I haven't been before and working with people I've just met.




Message edited by author 2007-11-18 09:04:34.
11/18/2007 09:09:05 AM · #144
Excellent work, Gordon. Those look awesome! :)


11/18/2007 09:29:45 AM · #145
6th street in Austin, last night. Think I'm going to start on a pizza theme...
All 50mm f1.4, at 1.4, on a 1dII, ISO 3200




Message edited by author 2007-11-19 15:54:23.
11/18/2007 10:54:30 AM · #146
Originally posted by latentflip:

Unfortunately I have yet to buy a real photographic umbrella. £1.99 from IKEA is a pretty good alternative tho!


Doesn't look like you need to spend any more!
11/18/2007 11:05:20 AM · #147
Originally posted by latentflip:

Unfortuantely I have yet to buy a real photographic umbrella. £1.99 from IKEA is a pretty good alternative tho!


Do you have a picture of said IKEA umbrella ? I'm curious as to what it is exactly that you are using.
11/18/2007 11:22:52 AM · #148
Pictures taken today.

It's tipping with rain here so I thought I would try and figure out how to use my new lighting kit :- )





Message edited by author 2007-11-18 11:46:04.
11/18/2007 06:04:12 PM · #149
Originally posted by kashi:

Originally posted by latentflip:

Unfortuantely I have yet to buy a real photographic umbrella. £1.99 from IKEA is a pretty good alternative tho!


Do you have a picture of said IKEA umbrella ? I'm curious as to what it is exactly that you are using.


This looks exactly the same as mine, I will take a setup shot tomorrow :).
11/19/2007 09:19:26 AM · #150


[thumb]614157[/thumb]



I did these over the weekend. My personal best so far.
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