The MG Old but still elegant
by kiwinick

Comment:
TF? TD? My obsession with the dear old things has waned somewhat, though I still keep my own (though not in this league, I'm afraid). It's an interesting shot, but I think the voiters are going to knock your choice of dual subjects, especially as those balloons aare not so old. Almost a classic example of the kind of fine shot not to submit I would say - obviously you have an 'old' primary subject, so what's the problem, huh? Well, the mass of punters don't see like that ...

High Tension
by Nikolai1024

Comment:
Quite a harsh light you have chosen, which doesn the tonality of your subject few favours I'm afraid; the composition is not bad, but the image prompts the feeling to me that there may ahve been more to draw out of this structure by showing us the receding cable - perhaps even some sense of whatever it is attached to - more simply, the tension to which your title refers isn't really so evident in the actual image.

The Switch
by nordic

Comment:
The slightly ironic cleanliness of the 'start' button is intriguing, and the tonality is likeable; There's a feeling of lens distortion to the image which comes across to my eye as a stand-ion for any real interest: it's not a wholly un-photographic thing, actually, but its more about the camera than about the subject, and in that sense represents a modernism in photography that seems rather desperate to me - as though the world seen through the lens were no longer interesting enough in its own right. A technically assured submission, and it prompts thoughts more to the point than most, so I can certainly not score you down for that.

Unveiled
by librodo

Comment:
Now this I really like; the punch of that clouded eye, especially in this context - the fact that we know her face now, the fact that it's in this collection of smoothly beautiful people, that your near-trademark headscarf arrangement hints at a clouding of her other eye in a more metaphysical sense adds a power that just isn't there in other photographs in this challenge. Clever, and in a true way rather than simply a whimsy. Excellently done - and I like that so much of that is to do with the context, rather than a simple stand-alone photograph.

Fearless
by ShaneBlake

Comment:
from the Critique Club

Now I quite like this in a certain way - mind you, I can see why the voters haven't given it their seal of approval, too. It has a certain similarity with some of the work of Martin Parr - though he uses flash less brutally than here, he makes good use of super-saturated colour and strange conjunctions of location like this. That contrast of the dull grey parking world and the bright tones of the ball-pool certainly have an impact. The flash shadows need help though, for sure - some kind of diffuser would stop the harshness of them a little?

Compositionally, I think we'd want more of the ball-pool and it's colours - they're actually only just part of this image, and if you had a slightly wider angle on this the composition of your son's placing and that background carpark would sit mich more comfortably in frame. This way, he's very uncomfortably central, and more of the pool would give a stronger sense of a jump out of the grey everyday into the child's fantasy world - with him so central to the frame, it becomes pretty much just a portrait - and we know what happens to all but the more 'emotional' child shots here.

Those two things, I think, have hurt your score more than anything. Pehaps also a lack of 'air' in the jump - from the results, it seems to have been a requirement how far up in the air the subject was; the voters though can be a strange collective, and one can only guess at the process.

I think this was slightly hard-done-by. I don't think it was 6 territory, given the flash and the compositional things, but it shows potential and should have been the other end of the 5-zone, for me.

All the best

e

In Her Own World
by librodo

Comment:
People's attitudes to a repeating subject are interesting, aren't they? Stylistically, this is very different from what we know as a 'librodo' look, and yet it seems to me there is more attention paid to the model than the photography here. It's a grand shot, and she has an amazing face, but perhaps people were looking for something more ... active, perhaps - interactive maybe. Maybe it's too close to folks' idea of a 'portrait'. All the usual DPC imponderables :-)

At the Butcher's
by e301

Comment:

Originally posted by internationalmanofmystery: Lots of character in this shot. I like it and I think it deserved to come 1st! Incidentally, isn't it against EU law to advertise in lb rather than kg? :)

That's it! But if I'd called it 'The EU commissioner of weights and measures comes to visit' I think fewer people would have liked it. And Martin - Shambles as in the famous street in York (actually the cross-street at the end of the shot) but your point is well made.

Untitled
by GinaRothfels

Comment:
from the underneath of the Critique Club

SO: compositionally strong - that heavy diagonal works well as a concept to hang the image on, but evidently not meeting the voters idea of what was required here. I think perhaps that might be a simple function of the scale of your shot: most if not all of the successful images depended on texture being apparent on both the fine and the grand scale: so the detail works, as well as the overall structure of the image (one might phrase this as saying that the shot worked as thumbnail as well as in full). This just doesn't really communicate on the finer scale, I think; at least, no more than it doesn on the larger. The progression and patterns of reflected light in those hollows are possibly too untidy, not clean and smooth ewnough to enhance the metallic nature of the whole.

That's only a suggestion, but evidently something put folks off this one. The colouration may have hindered things too - I can see a feeling that it might have removed some sense of tonality, or rather imposed its own sense of tonality onto the shot, rather than letting things come through. perhaps, in the end, it was just too close to the abstract (well, absolutely close to my eye), and the voters actually wanted to know exactly what texture they were looking at? Who can tell sometimes ...

Some more info from yourself might have helped make sense of things though.

reporter
by arsenal

Comment:
Man, you got flamed! Whilst I wouldn't call this completely successful, it certainly doesn't deserve these ignorant and thoughtless and plain stupid comments - 'rules' of candids my ****

Capitol Nights
by Maverick

Comment:
from the underneath of the Crtique Club

Technically, there is nothing to criticise here, of course: great detail, definition, light and so on. Especially given the sutter speed. The problem comes with entering essentially an architectural shot into a texture challenge, despite the wording of the challenge details. I've done that myself, and there's no point bemoaning it, even to yourself, just learn the lesson and get on. Folks just aren't really going to consider it suitable, I fear.

One other thought that comes quickly to mind: your chosen aspect ratio, and the inclusion of that lower wall and the flag, make this shot more about the building perhaps than the texture of the decoration of the dome itself; a bit of judicious cropping, to emphasise the textural elements of it, might have helped your score over the 6 mark.