love the exposure - the town's lights, the subdued moonlight - (moonlight is near exact same colour as daylight, so a 'proper' exposure looks exactly like a daylight scene, doesn't it), so I like the way you just underexposed it enough to have us be sure it is not a daytime shot. Much better than those films where the blue filtering , with the shot taken at midday, and everyone pretending to peer into the 'darkness'! Your friend was patient, wasn't he?
Another example of your people skills - I should really like to watch you working with people - how they react to you, how you motivate them to pose and be in your fascinating pictures. A sort of Cartier Bresson, but with no hiding or sly shots when no-one is aware of being taken, but yet a sort of invisibility of yourself, though it is clear that most of your shots are a collaboration, they seem to have to be, but never a sign of intrusiveness or blowing your own trumpet - very interesting person I think you must be
This is wild. I don't think it is as good as your "Photographer's Dream", but I like the fact that the location has the sand, water, and cloud elements in it. The motion of the clouds is great as well. Nice shot Alfredo.
Wow great shot and I love the composition in terms of the context of the challenge, stunning skyline and terrific colours elsewhere which are muted but lose none of their impact
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