| Image |
Comment |
| 11/10/2002 11:06:00 PM |
gimme 4 - - forced luckby miss parkerComment: I really like your idea here but I do not like the bandade or tape on the clovers. I find it very distracting. Maybe if you would have used some string or something else that could look a little more natural. T |
| 11/10/2002 11:01:00 PM |
Shaddow Of A Lucky Day by ndsComment: This is really excellent. Great colors and composition make this a very striking image. T |
 Photographer found comment helpful. |
| 11/10/2002 10:59:00 PM |
13by jab119Comment: Athis is one of my top picks for the week. I like the chaos and lighting. The lack of sharpness does not bother me here. T |
| 10/05/2002 07:37:00 PM |
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| 10/05/2002 07:30:00 PM |
dpjavaby m_squareComment: I don't understand. Is there a reflection that I am missing? T |
| 10/05/2002 07:40:00 PM |
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| 10/05/2002 07:33:00 PM |
white wine on clear glassby jjbeguinComment: This is a real interesting photo but I really don't think that the look of the person works very well here. She looks like she is trying to avoid the camera instead of interacting with it it. T |
| 09/22/2002 08:45:00 PM |
The Darkness of Depressionby nbortonComment: Wow, this is one of the most powerful photos I have seen in a long time. I don't know if this is set up or not but it doesn't really. The white t-shirt and facial expression set against the blackness is very impactful. Very very well done. If there was an 11 I would give it to you. T |
| Photographer found comment helpful. |
| 09/22/2002 07:07:00 PM |
Lonley Home Girlby mnastComment: There is detail everywhere. I don't see this as a good example of negative space. T |
| 09/22/2002 08:26:00 PM |
Bachelorby ClubJuggleComment: It looks like fridge except that I also have old food in there. The idea is great but I think that the composition can be improved. I would have put the camera on a tripod and made sure that all the lines were straight and probably position the camera much lower to really emphasize the beer. T |
| Photographer found comment helpful. |
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