Image |
Comment |
| 03/30/2009 03:18:05 AM |
leaving you behindby skewsmeComment: The best brown ever, surely? I thought it was quite lovely. I had wondered if my score of 9 was unreasonably niggardly. Alas, it was. |
Photographer found comment helpful. |
| 03/27/2009 08:18:46 AM |
Its all Jazz to me!by ikopanasComment: It seems to be an exposure of 50 years as much as it does of 1 second. I especially admire the fact that the movement blur is so subtle, and yet so appropriate to the essence of the subject. A tremendously thoughtful and original photograph with several levels of reward for the viewer prepared to make the effort. 10. And the Order of the Thumb:
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Photographer found comment helpful. |
| 03/27/2009 06:24:29 AM |
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Photographer found comment helpful. |
| 03/27/2009 06:21:44 AM |
Cutaway to Abstractionby pointandshootComment: This is just wonderful. A brilliant ragoût of certainty and uncertainty; the explicit and implicit; tone, texture and graphic grace. And I use the culinary allusion advisedly, because this image has all the balance and inspired fusion of a modern-classic dish. Undertones and overtones in absolute harmony. And it's also a perfect natural diptych, just for a bonus (and presumably to prompt some dismal soul to request validation ... Bah!).
I'd give it a 12 if that score were available. Alas, 10's my limit. Plus the Order of the Thumb:
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Photographer found comment helpful. |
| 03/27/2009 06:20:11 AM |
Harmonyby KenComment: A lovely composition that exploits the extended exposure in a subtle and thoughtful way. The title is well chosen for the effect. 9. |
Photographer found comment helpful. |
| 03/27/2009 06:18:48 AM |
Ethanol Refineryby pncowleyComment: This is a very interesting photograph, probably because it has a strange Space Station feel to it. Isolated by the darkness, I guess. I've tried a few similar night-time shots myself, and never managed this kind of superb result. 8. |
Photographer found comment helpful. |
| 03/27/2009 05:45:34 AM |
diplomatic lifeby kolasiComment: Excellent! Such a grand room with no convincing signs of long-term occupancy. As if the guy is just a transient user who'll soon be gone and only the picture and the desk will remain. Someone else will pinch the good chair as soon as he's gone. The ambiguous presence established by the exposure & movement seems quite apt. He's there, but don't blink. 9. |
Photographer found comment helpful. |
| 03/27/2009 05:37:02 AM |
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Photographer found comment helpful. |
| 03/27/2009 05:34:31 AM |
leaving you behindby skewsmeComment: It's a bold photograph. Sideways orientation makes it initially harder to recognize, but then as the viewer grows more comfortable it seems to become more reflective, which is just right for the sentiment in the title. Like transport to another place and time. I am a big fan of ambiguity and uncertainty, because it seems to oblige the viewer to make some effort. To meet you half way. The hints of scrappy flowers are both disguise and motivation in this photograph. So, all in all, I like it very much. 9. |
Photographer found comment helpful. |
| 03/26/2009 02:19:11 AM |
running waterby ursulaComment: That's wonderful! The impression of the great pressure and distortion of the water over the rocks is terrific. It feels like this powerful image is just barely contained within the frame. It's not an abstract, and yet it is. It's literal, and yet it's also figurative. I just love that double identity. 8. |
Photographer found comment helpful. |
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