Chelsea Florist
by persimon

Comment:
Neon lights AND reflections. Two of my favorites.

Maple Magic
by sajin

Comment:
Great color and use of depth of field. This is a great series. Thanks for sharing.

Naejang Temple
by sajin

Comment:
Outstanding colors. Would make a great travel poster.

Cold Mountain (Ansal Adams)
by fiverivers

Comment:
Nice picture, but you should spell his name correctly.

with understated grace, 6:56 pm
by mycelium

Comment:
Great perspective and colors. Thanks for sharing.

RailBridge.jpg
by lewiss

Comment:
I really wish I could see this printed out. The picture is so long and tall it's hard to get the full impact on my monitor, but I can't think of any other way to handle this particular subject. Great depth of field. You have really captured the size and "feel" of this huge structure.

Going Up?
by BRCPRES

Comment:
OMG!!! Someone listened to me. I love this picture just as much the second time around.

Originally posted by BRCPRES: Resub w/ chgs to crop only .................................... Originally posted by Germaine: I really love this picture. Wish I'd taken it! My only suggestion would be to crop the upper right so that you don't have the white space at the top of the step. That would give you a solid diagonal into the corner. But that's just me... Congratulations on a great shot.

Double Balcony
by gsal

Comment:
I really like the composition with just the touch of red. Personally, I would get rid of the big white border. Why waste pixels on that when we can look at the interesting picture?

DSC_3878.jpg
by jduffett

Comment:
Love the soft, dreamy quality here. The red railing is just the right touch.

DSC_3845bw2.jpg
by jduffett

Comment:
Really great use of b&w with exceptional clarity and depth of field. I'm not crazy about the planks at the lower left. My eye wants to look out to sea, but those planks jerk me back. I guess that's another way of saying they are distracting. 8) I wonder what the picture would have been like if you had stepped around to the left so that the planks were across the foreground rather than in the corner.