Turboprop
by e301

Comment:
be there and f/22 ;-)

A Nice Little Set of Studio Lights
by scalvert

Comment:
this would have done better if you had included an itsy-bitsy guide to lighting ;-)

Getting Old is a HOOT
by JPR

Comment:
sweet!

Black Room Spinning
by gwrecker

Comment:
if you brace yourself against the door, you'll get something like this ;-)

The Petite Sophisticate
by scalvert

Comment:
dude, you're starting to dominate this color the slippy's starting to own red ;-)

beautiful work, btw.

The Photographer
by IreneM

Comment:
i was just kidding around...it struck me funny to see the lens hood reversed.

very nice shot!

Penn Relays, world's largest annual track meet, attended by 20,000 athletes and 100,000 plus fans.
by _eug

Comment:
that's whacked...as much as i've loved this image, i thought i had added it to my faves a long time ago...

as slippy said, you were handed a moment--and boy, did you capitalize on it! excellent work!!

christchurch_med_8421.jpg
by Brookied

Comment:
i think you need to decide what you're photographing here: the traffic, or the structure. the traffic lights are so blown out that they take away from the image. the ghosting leaves the lighting on the structure extremely uneven.

Grattan_Bridge_V2_8375.jpg
by Brookied

Comment:
this one works as a bw, but i think you need to work on either your exposure, or your post-production. this is a situation where you can't get everything in one frame, unless you really work on it. you need the detail in the shadows, but the lights are way over-exposed. if you stop it down a bit, and can't find enough detail in the shadows, you will probably need to merge to frames to get the final image you're looking for.

hapenny_small_8380.jpg
by Brookied

Comment:
i know that bridge has been shot to death, and for good reason. you've got a nice composition; all i can offer are some personal prefs...

i think bw robs that vista of its life, and i think you need to deal with the lens flare, either in-camera or in post.