Covered bridge to...nowhere.
by wetland

Comment:
I looked at this for a long time because it struck me as odd that here we have a covered bridge, clearly in dishevelment with no apparent means of access to getting on it from either side. I found myself wondering why this would be so then wondered if it is simply meant to be a type of monument to a progress which all too often leaves the grand past behind as seemingly irrelevant to that which it passes by. Perhaps it is about simple change - what was, what is now - left to cause one to slow down a bit and ponder. Thoughtful & quite curious capture, a definite stand-out.

Skeletons
by glad2badad

Comment:
I love how the manmade chimney and the natural tree echo each other as skeletons now, remnants of antiquity which once were mighty but have now become different, quieter ghosts of their former selves. They are still holding on and there is a magnificence and life lesson in that quiet strength. The natural frame of the consistent grass without definition and the backdrop of the late Autumn almost blended together trees add notes to this as well and create that sense of moody isolation. It is almost as if the tree is reaching out to touch the chimney, recognising their sad commonality and kinmanship. I think your photograph is beautiful.

Pink Car
by justine

Comment:
How out of place this pink shell car looks in the peaceful deep snowy landscape and yet the eye is drawn in to it at once. I do love this juxtaposition of opposites.

The Forgotten Ones
by eye-spy

Comment:
This is absolutely superb in provoking emotional response. It represents decay in the rural environment but could also be interpreted as decay in an urban environment and even on other levels besides that. It struck me immediately as almost eerie, especially with the slipped right eye, the blind left one and the snow kiss on the mouth - the plant bit touched with snow is almost evocative of a tear. The tones in the face and the combination of dirt and innocense are quite disconcerting. WELL DONE.

from here to eternity
by chalice

Comment:
Emerald turquoise water with a gentle tide coming in on a peaceful sandy beach cove highlighted by the lapping of the wavelets. The two tone brown gold patterns are a nice warm touch, and the shadows and silhouette of the enclasping rocks is enhanced further by the blown but even-white sky, which echoes the salt spray mist and provides a clear colour delineating contrast. I'd like to be here watching the ocean.

Seaside Serenade
by Scholten

Comment:
This is peaceful, even the little tidepools are reflecting the clouds lit by the sunstar and the incoming waves are edgelit so that they sparkle like gold. The cloud shapes are echoing the rock formations, jagged, uneven, forming a spit of land holding fast against the sea. Superbly done.

Spinning Gold
by Neil

Comment:
I love the all the little rills which down their channels fret in this and the colours are beautiful, the pure pristine white of the waterfall contrasting with the autumn reddish browns. There is just a hint of a low sun in the middle which balances the composition and lights the gold of the spinning flow. Very rich composition, very well captured.

Leaf
by M4TRIX

Comment:
The delicate silhouette is beautiful in its innate simplicity.

Elemental
by hihosilver

Comment:
The light coming in from the right side of this seascape is very beautiful and bathes the scene in a warm glow. The waves are soft, flowing, peaceful. An undine elemental as this scene is pure Magick.

The carousel
by Tammster

Comment:
There is a great amount of creative control in this that is not, perhaps, readily apparent at first view. The diagonal perspective is odd and the dark watcher lends a bit of an eerie touch to the horses which are spinning round so fast they are almost, but not quite, invisible except for the ghosting movement blur. Yet the centre lights are perfectly in focus and sharp where desired. The more I study it, the more in resonates.