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Photograph Information Photographer's Comments
Collection: Munster2006
Camera: Nikon D70
Lens: Nikon AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II
Location: Munster, Germany
Date: Jul 15, 2006
Galleries: Vintage, Rural
Date Uploaded: Jul 26, 2006

Viewed: 360
Comments: 6
Favorites: 0

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AuthorThread
 07/29/2006 09:12:57 PM
Germaine,
actually you're right - it is a different picture :). I mean, literally - it is a different shot. I just thought it would fit better for this crop.
Thanks again for your comments.
07/28/2006 03:02:49 AM
Hmmm. This has become a completely different picture. The impression I have in my mind of the first shot is a strong vertical line crossed by two strong horizontal lines. IMNSHO, the lantern was an interesting element, but not as important, visually, as the beams. Now, the picture is more about textures and tones and the lantern. The vertical and horizontal lines of the beams are part of the background.

I think that, visually, the first picture was/is a stronger graphic, but I don't think it comes across as well on a computer monitor which is a horizontal layout.

Thanks for taking the time to alter your picture.
  Photographer found comment helpful.
 07/28/2006 01:27:39 AM
It's prety cool. Shame about the energy save bulb though
  Photographer found comment helpful.
 07/27/2006 11:20:31 PM
I don't know what the original looked like, but I quite like this version. Love the textures and the muted tones. Very pleasing.
  Photographer found comment helpful.
 07/27/2006 02:23:14 AM
Germaine, thanks for your comment. Perhaps you're right about the crop - I recomposed this shot following your advice. What do you think now?

Message edited by author 2006-07-27 14:25:23.
 07/26/2006 10:41:16 AM
I'd like to see this on a wall. IMNSHO it's too long for monitors. I had to scroll a lot to see the whole thing. Actually, if you don't mind my saying, I think it's fine cropped just below the horseshoe. Great graphic. The horizontal and vertical lines are very powerful.
  Photographer found comment helpful.


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