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DPChallenge Forums >> Hardware and Software >> Portrait Lens EF2 24-70mm 2.8L vs 70-200mm 2.8L
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04/01/2006 12:12:16 PM · #1
I have been doing some research for my next lens. I want to get a quality portrait lens. I am looking at these two and I see the 24-70 comes highly recommended for portraits. Yet I have always had a desire for the 70-200. I would be interested in your thoughts as to how these two compare in the portrait arena. Will the 70-200 carry the portrait load in studio as well as in the field, or for pristine portraits, is the 24-70 preferable. Or.. your thoughts on other possibilities.

*Ignore the extra numeral in the Topic.. snuck in there somehow.

Message edited by author 2006-04-01 12:13:26.
04/01/2006 12:16:42 PM · #2
In full-frame equivalents, the 70-200mm is 112mm at its widest. This is about as LONG as you'd want a portrait lens to be, ever... So I'd consider it to be a long shot (pun intended) as a portrait lens. The 24-70mm makes more sense for this. Another option, optically in the same ballpark at a fraction of the price, is the Tamron 28-75mm f/2.8. This lens is stunningly good, and it's a lot less bulk and weight to carry around than the Canon 24-70mm f/2.8...

Robt.
04/01/2006 12:23:45 PM · #3
I second what Bear said.. until you get a fullframe camera the 70-200 is too long for portraits.

I have the 5D and both the 24-70 and the 70-200 and use neither for portraits ;)
I use the 100mm macro for portraits, the focus is easier to control, it's lighter and more managable.

to hold the 70-200L f2.8 IS attached to the 5D with grip gives you 4-5kg and I wouldn't want to do a full day in studio holding that ;)

if you are looking at a portrait lens the 50mm f1.4 is great, so is the f1.8, and if you got the $$$ then the new 85mm f1.2 is the best you can get :)

if money doesn't grow on trees at your home, then the Tamron is a very good option.
04/01/2006 12:24:37 PM · #4
based on what you say you're using it for, I agree with Bear - the shorter zoom will be much more useful.

(or you could save $400 and get the 50mm 1.4 and the 85mm 1.8)

:)
04/01/2006 12:25:51 PM · #5
If you want a dedicated porttrait lense it would be better to get a prime. EF 50mm f/1.4 or ay of the 85mm lenses.

On a 1.6 crop factor camera I prefer portraits at around 70-90 and find that this gives me better bokeh than the shorter lenses.

I use a 100mm 2.8 prime now for portraits and this gives by far the best result for me on a FF camera.

::are
04/01/2006 12:36:51 PM · #6
I think you'd be very satisfied with the 24-70 for portraits. Yes, the 85mm primes or the 100/2.8 are sharper, but I'd dare you to notice much practical difference, *unless* you're shooting the 24-70 at or near 70mm, wide open. That is it's weakest point.
I too think the 70-200 is too long. Not that it's a bad portrait lens, as a matter of fact it's a terrific portrait lens, but if you want to use it in the studio, it better be a big studio! For outdoor work or for candids where maintaining some distance from the subject is desirable, the 70-200 is an outstanding portrait lens.
Overall, my recommendation is the 24-70, unless narrow-DoF portraits are your style, in which case the 50/1.4 or 85/1.8 (or 1.2L) might be better choices.

Message edited by author 2006-04-01 12:37:48.
04/01/2006 01:16:10 PM · #7
Thanks for your responses. I just got the 50mm 1.8 so that will be a good start. I want to be able to have the ability to use a telephoto so I will do some comparisons on the options you mentioned. Anyone ever shot with both the Tamron 28-75 & Canon 24-70?
04/01/2006 01:38:59 PM · #8
Originally posted by rblanton:

Thanks for your responses. I just got the 50mm 1.8 so that will be a good start. I want to be able to have the ability to use a telephoto so I will do some comparisons on the options you mentioned. Anyone ever shot with both the Tamron 28-75 & Canon 24-70?


I have. You'd have a hard time telling the difference between them. This was the "selling point" that got me into the Tammy for less bux...

Robt.
04/01/2006 01:45:24 PM · #9
try the 135mm L cheap and very very sharp
04/01/2006 01:57:57 PM · #10
I have the Tamron 28-75 also, and have used it for many portraits. I haven't had a Canon 24-70 of my own to try them side-by-side, but comparing to pictures online, I can get just as crisp, contrasty images for nearly 1/4 the price. You can get the Tamron for about $300 new, and get the Canon 70-200 f/4 L lens on ebay like new for $550 pretty easily (sometimes less) and try both for about $350-400 less than the Canon 24-70 lens alone. If you were wanting the 70-200 to be f/2.8 also, a good alternative is the Sigma 70-200 which can be found on ebay also, and is only around $700 new online.

I had some overlap in ownership of the Sigma 70-200 f/2.8, the Canon 70-200 f/2.8 IS L and the Canon 70-200 f/4 L. There was little to no difference between the two f/2.8 lenses when shooting on a tripod, the images looked great, then comparing to the Canon f/4 lens was amazed that I could actually tell that this "cheaper" lens was sharper and much more detailed on high magnification. I would think that individual portraits would come out great on this lens even though the deapth of focus is a little deeper than some like. I personally shoot most portraits at f/4-f/5.6 so that their whole face is in focus and not just their eyes.

I have the Canon 50mm f/1.8 and a Sigma 105mm macro and have used those for portraits too, and they work awesome, but I do like the composure flexibility of the zoom, especially if I'm not using a tripod in a pre-configured studio shot.

Message edited by author 2006-04-01 14:02:13.
04/01/2006 02:28:46 PM · #11
Depends on your style...

I was in school last week - the teacher I had loves the 80-200 IS canon lens. On a full frame (5D) it'd b emy #1 choice hands down. On my 1.6x crop, I have to stand back a bit too much.

FOr studio use where wide aps are umimportant, i like the tamron SP24-135 (35mm = of 36 to 200). It also focuses very close. My 70-210 tamron is great, but has a minimum focus distance of 5 feet.

I got to play with canon's 24-205 f4 - nice lens. i may add it to me wish list, for when i hit the lottery LOL

Technically and theoretically speaking, there is an optimum focal lenght for each stype of shot (full, 3/4, head an shoulders, head shot). So it somewhat depends on what you're shooting, indoor or out, your style, etc.

these are both with my 70-210 (the indoor one was DARK, so fogive less than perfect sharpnes)


Message edited by author 2006-04-01 14:30:03.
04/01/2006 02:48:10 PM · #12
i think you mean the canon 135mm SF (not the L, which costs $900)

still, you're right, it rated to be an extremely sharp lens

Originally posted by renefunk:

try the 135mm L cheap and very very sharp
04/01/2006 02:52:41 PM · #13
every photo on my website is all canon 24-70 L f/2.8

its the only lens i have and its amazing, works great for portraits,

but i would love to have the 70-200 f/2.8 its my next purchase.

//www.tmosleyphotography.com
04/01/2006 04:25:34 PM · #14
Originally posted by DanSig:


if you are looking at a portrait lens the 50mm f1.4 is great, so is the f1.8, and if you got the $$$ then the new 85mm f1.2 is the best you can get :)

if money doesn't grow on trees at your home, then the Tamron is a very good option.

the 85mm f1.8 is reported to be a good lens also, and is significantly less expensive than either of the f1.2s

You may want to use a shallow DOF. Remember that most lenses are not at thier sharpest wide open, so an f1.4 prime at f2.8 will be sharper than the 24-70 f2.8 when its wide open.
04/12/2006 02:54:31 PM · #15
So now that I have put the 70-200 on the back burner.. how would you compare the Tamron SP AF 28-75mm f/2.8 with the Canon EF 100mm f/2.8 both have macro capabilities.
04/12/2006 03:05:17 PM · #16
Originally posted by rblanton:

So now that I have put the 70-200 on the back burner.. how would you compare the Tamron SP AF 28-75mm f/2.8 with the Canon EF 100mm f/2.8 both have macro capabilities.


The 100mm f/2.8 is a true macro, it focuses down to 1:1 (life size). The tamron 28-75mm f/2.8 is a "semi macro"; it goes down to 1:2 (half life size). I have the Canon 60mm f/2.8 macro, which is also a true macro at 1:1 and every bit as sharp and crisp as the 100mm f/2.8, and I find I rarely use it as I rarely go quite that close and the 28-75mm is much more versatile. It's plenty sharp enough, that's for sure, although the true macros are arguably a bit crisper.

Bottom line; if you're not into EXTREME closeup, the Tammy works fine when shooting in tight, and zooming-to-frame is a LOT easier than moving the tripod back and forth...

Robt.
04/12/2006 03:08:35 PM · #17
Originally posted by rblanton:

So now that I have put the 70-200 on the back burner.. how would you compare the Tamron SP AF 28-75mm f/2.8 with the Canon EF 100mm f/2.8 both have macro capabilities.


The Tammy is by all accounts a very good lens (I haven't owned one). The 100 macro is also a very good lens, will definitely be sharper at f/2.8, and with 1:1 macro capability. The Tammy's macro capability should more accurately be referred to as "close-up," but it's good enough for many purposes.
They are very diffent lenses from a focal length perspective, so not sure that broad comparisons are valid.
04/12/2006 03:17:38 PM · #18
Well, I am looking to harness whichever for both macro work and portrait work. Hence the comparison.
04/12/2006 03:25:15 PM · #19
Originally posted by rblanton:

Well, I am looking to harness whichever for both macro work and portrait work. Hence the comparison.


The Tammy would be much more versatile as a portrait lens, and much quicker to work with as a closeup lens as long as you don't "need" extreme macro.

R.
04/12/2006 05:56:25 PM · #20
perhaps I am at odds with the majority here (I did not real all teh posts however).

80-200. Sure, it's better on a FF body, but it's still nice on a 1.6 crop. For studio work you'll probabably want wider, but shallow DOF is not that important with strobes (you'll be shooting at F5.6-13).

There are several reasons I mention this lens as the best choice - ALL the 'big' pros use it. Take a class or get some DVDs and you'll see what I mean. Especially outdoors.

Here are some shots on my rebel, 70-210 2.8 tamron lens:



and here is Ralph Romaguera, the teacher, with what lens? Yep.


Message edited by author 2006-04-12 18:06:24.
04/12/2006 08:04:00 PM · #21
Originally posted by Prof_Fate:


There are several reasons I mention this lens as the best choice - ALL the 'big' pros use it. Take a class or get some DVDs and you'll see what I mean. Especially outdoors.


Obviously not "ALL" the big pros use this lens as there are many still using MF. David LaChapelle is one of the biggest in the industry and he continues to shoot Pentax MF.

cheers,
bazz.
04/12/2006 09:42:51 PM · #22
Originally posted by sir_bazz:


Obviously not "ALL" the big pros use this lens as there are many still using MF. David LaChapelle is one of the biggest in the industry and he continues to shoot Pentax MF.

cheers,
bazz.


and what focal length does he use? there is a conversion factor for MF too.

Depends to a point on what your (or my) definition of a 'big pro' is. Ralph teaches seminars, has 40 years in the photography/portrait biz, owns 4 studios and, to me, be as good as anyone to emulate and learn from. I got a DVD sampler from photovision and there are 7 or 8 photographers shown at work - the wedding photogs used 80-200 as their main lens, with a 16-35/17-40 as the second choice and the 24-70 third.

What we need is a 40-135 or 50-150 2.8 lens for us 'cropped sensor' users. I'd buy it in a hearbeat.
04/12/2006 09:53:24 PM · #23
My point is/was that ALL the "big" pros don't use that lens which is what you inferred in you prior post. There's also alot of portrait photographers that prefer to use primes.

On another note it's funny that you mention that particular focal range for APS-C sensors as the Pentax-DA 50-135mm f2.8 is slated for release just after the US summer and will be high on my personal wishlist.

cheers,
bazz.
06/17/2006 06:58:18 PM · #24
Originally posted by Prof_Fate:

Depends on your style...

I was in school last week - the teacher I had loves the 80-200 IS canon lens. On a full frame (5D) it'd b emy #1 choice hands down. On my 1.6x crop, I have to stand back a bit too much.

FOr studio use where wide aps are umimportant, i like the tamron SP24-135 (35mm = of 36 to 200). It also focuses very close. My 70-210 tamron is great, but has a minimum focus distance of 5 feet.

I got to play with canon's 24-205 f4 - nice lens. i may add it to me wish list, for when i hit the lottery LOL

Technically and theoretically speaking, there is an optimum focal lenght for each stype of shot (full, 3/4, head an shoulders, head shot). So it somewhat depends on what you're shooting, indoor or out, your style, etc.

these are both with my 70-210 (the indoor one was DARK, so fogive less than perfect sharpnes)


I thought the first photo was of the door? I have a Canon EF 100 f2 and for portraits it is a great lens. But as has been stated the best lens is the one that suits the circumstances. I took some great portait shots with a 70-200 f2.8 IS L lens and they came out brilliantly. And as far as the 'BIG' pro's goes, I don't think Canon make an 80-200 IS It is certainly not available where I am. They also usually use the manufacturers lenses not Sigma or Tamron.

Message edited by author 2006-06-17 19:08:03.
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