Folks should be familiar with Archibald MacLeish:
Ars Poetica
Archibald MacLeish, 1892 - 1982
A poem should be palpable and mute
As a globed fruit,
Dumb
As old medallions to the thumb,
Silent as the sleeve-worn stone
Of casement ledges where the moss has grown—
A poem should be wordless
As the flight of birds.
*
A poem should be motionless in time
As the moon climbs,
Leaving, as the moon releases
Twig by twig the night-entangled trees,
Leaving, as the moon behind the winter leaves,
Memory by memory the mind—
A poem should be motionless in time
As the moon climbs.
*
A poem should be equal to:
Not true.
For all the history of grief
An empty doorway and a maple leaf.
For love
The leaning grasses and two lights above the sea—
A poem should not mean
But be.
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Emphasis mine. Literally, to "abstract" a thing is to reduce it to essentials. The lock and the key may stand for the door to the cell. Abstraction is a very cool, a very metaphorical, concept. We suck all the power from it when we insist that an abstraction is only something that cannot be"perceived" as other than meaningless. MacLeish's poem is full oc concrete images, but the poem itself is a high-level abstraction. |
