DPChallenge: A Digital Photography Contest You are not logged in. (log in or register
 

DPChallenge Forums >> Photography Discussion >> hdr images
Pages:  
Showing posts 1 - 22 of 22, (reverse)
AuthorThread
01/16/2007 03:04:43 AM · #1
I am just really starting to play with tone mapping and HDR
and I wanted to get some feedback on these ... tell me what ya think


01/16/2007 11:33:10 PM · #2
bumping
01/16/2007 11:43:24 PM · #3
Hey Dave. Looked through your HDR photos. First of all, I know very little regarding post-processing, etc., and very much a newbie to photography so hopefully someone will really critique and give you the advice you're seeking. The photos looked crisped but didn't have that HDR feel that I've seen others do. Hopefully, one of the DPC gurus will get a chance to look through them and help you out! So, I guess I'm pretty much just "bumping" this so that someone else can give you better constructive criticism.

Good luck!
01/17/2007 08:23:50 AM · #4
It would help if you could post the originals (or, at least, an "average" original), the HDR is pretty subtle from my point of view - not a bad thing at all, but hard to critique for sure.

typos

Message edited by author 2007-01-17 08:24:13.
01/17/2007 10:26:23 AM · #5
In order of appearence.
1) I'd like to see the top of the high rise, it's almost there.
also a color rendition may be interesting.
2) Typical sepia tone, uninteresting, my preferenc is fall colors.
3) Suitable picture for a rigging challenge, I see the HDR brought out background colors more, the original may have been a silhouette.
4) This is more sureal, the buildings look like a prison, the greenery in the forground is a great contrast.
5) The HDR gave it an f/x like a Postcard. Maybe more fountains or none may have a better effect.
my favorites are the last 2.

I just combined my second HDR in Photomix last Sunday and found the TM Tone mapping the most useful. HDR can bring out the bright skies and the deatail of dark shadows at the same time.
01/17/2007 11:17:25 AM · #6
Originally posted by kirsty_mcn:

It would help if you could post the originals (or, at least, an "average" original), the HDR is pretty subtle from my point of view - not a bad thing at all, but hard to critique for sure.


I agree with this statement.

For me, the reason to use HDR is because there was "too much dynamic range" in the original scene. And so you use HDR techniques in order to bring highlights and shadows that your eye could see but no camera could ever capture into a single frame.

If that's what you've done here, then you have indeed managed to hide it well with your HDR processing. But to me it looks as if HDR processing may not have been necessary here.
01/17/2007 11:18:55 AM · #7
I really like number 4. For some reason I think that HDR looks best on buildings as subjects.
01/17/2007 11:36:08 AM · #8
I'm no expert on HDR, but I don't think there's much dynamic range in these photos.
To put it simply IMHO,i think an image that would otherwise come out as a silhouette would be the best application for HDR.
01/17/2007 11:44:14 AM · #9
Originally posted by dmadden:

I'm no expert on HDR, but I don't think there's much dynamic range in these photos.
To put it simply IMHO,i think an image that would otherwise come out as a silhouette would be the best application for HDR.


That's a pretty extreme point of view. Sunsets and sunrises, for example, aren't even CLOSE to silhouettes most of the time but they work VERY well in HDRI. Then there are shots that are pretty evenly lit throughout the main subject but with very dark shadow areas that HDRI can help recover detail in. And so forth and so on...

R.
01/17/2007 11:50:36 AM · #10
Originally posted by dmadden:

I'm no expert on HDR, but I don't think there's much dynamic range in these photos.
To put it simply IMHO,i think an image that would otherwise come out as a silhouette would be the best application for HDR.


I've been experimenting a fair bit with (fake) HDR here, and images that otherwise come out as a silhouette are not working all that well. So far, for me, images that have a fair bit of dynamic range already come out best - but the range is sort of evened out, where the darks come out clearer and the lights not as bright. And contrary to my expectations, HDR isn't only bringing out the red tones, but it also works wonders for blues and greens.

Edit: "evened out" is probably the wrong way to put it, but I can't think of how to put it. It's more like details come out in both the dark and the light areas. Like in this one:



Message edited by author 2007-01-17 11:52:50.
01/17/2007 11:56:04 AM · #11
Originally posted by Bear_Music:

Originally posted by dmadden:

I'm no expert on HDR, but I don't think there's much dynamic range in these photos.
To put it simply IMHO,i think an image that would otherwise come out as a silhouette would be the best application for HDR.


That's a pretty extreme point of view. Sunsets and sunrises, for example, aren't even CLOSE to silhouettes most of the time but they work VERY well in HDRI. Then there are shots that are pretty evenly lit throughout the main subject but with very dark shadow areas that HDRI can help recover detail in. And so forth and so on...

R.


But would'nt a subject like a building with sunset in the background have an extreme lighting range from dark to light. And be a likely candidate for HDR? If not! what would be the best way to display this picture the way the human eye would view it?
01/17/2007 11:58:44 AM · #12
Originally posted by dmadden:


But would'nt a subject like a building with sunset in the background have an extreme lighting range from dark to light. And be a likely candidate for HDR? If not! what would be the best way to display this picture the way the human eye would view it?


Oh, sure. It's a good reason to use HDRI. I was taking exception to your use of the adjective "best". There are a lot of good situations in which to employ HDRI imaging.

R.
01/17/2007 12:03:23 PM · #13
Originally posted by ursula:


Edit: "evened out" is probably the wrong way to put it, but I can't think of how to put it. It's more like details come out in both the dark and the light areas. Like in this one:


Look at it this way: you can take an image and adjust the CONTRAST of it to control how dark the darks are and how bright the brights are, but when you compress contrast this way you get a "flat" image. With HDRI and tone mapping, you are compressing the tonal range but you are increasing the local contrast as well, something that is difficult (but not impossible) to do with conventional processing. So you have overall compression coupled with local enhancement. I don't know a good word for what happens...

R.

and yeah, welcome to the dark side, sister!
01/17/2007 12:21:08 PM · #14
Originally posted by Bear_Music:

Originally posted by ursula:


Edit: "evened out" is probably the wrong way to put it, but I can't think of how to put it. It's more like details come out in both the dark and the light areas. Like in this one:


Look at it this way: you can take an image and adjust the CONTRAST of it to control how dark the darks are and how bright the brights are, but when you compress contrast this way you get a "flat" image. With HDRI and tone mapping, you are compressing the tonal range but you are increasing the local contrast as well, something that is difficult (but not impossible) to do with conventional processing. So you have overall compression coupled with local enhancement. I don't know a good word for what happens...

R.

and yeah, welcome to the dark side, sister!


Or the "evened out" side :)
01/17/2007 03:08:33 PM · #15
Ok here is the unmodified average images

And the HDR (or tone mapped)



Message edited by author 2007-01-17 15:09:22.
01/17/2007 03:34:38 PM · #16
Bear ... are you there
01/17/2007 03:51:25 PM · #17
I am curious if you use a circular polarizer. Number 2 and 5 look like there effects could be achieved with this, as they would darken the sky and saturate the greens like in example 5. I think the best use pf HDR was of the building. Sorry not much help, I am procrastinating the first day of school...
01/17/2007 04:47:45 PM · #18
I'm curious what software you used to create your HDR images.
And if the were combined from separate, bracketed, exposers.

Phtomix reccommends taking about 5-7 photographes underexposed and overexposed differently, I think .5 - 1.0 ev apart.
01/17/2007 08:25:20 PM · #19
i have been wondering...

i see what HDR images are, but how do you do them? is it something with the camera, photoshop, or what? i only have a very basic idea of it right now..

thanks :)
01/17/2007 09:35:23 PM · #20
Originally posted by justamistere:

I'm curious what software you used to create your HDR images.
And if the were combined from separate, bracketed, exposers.

Phtomix reccommends taking about 5-7 photographes underexposed and overexposed differently, I think .5 - 1.0 ev apart.


The Building is a "true" HDR - 7 images in a -1 to + 1 range
Number 1 is 4 exposures of the same image and then averaged tone mapped in photomatix and converted to a "infrared" in exposure
Number 2 is a 3 image bracket -1 to +1 and then tone mapped
The boat is 4 exposures of the same image averaged and TM
5 is 5 exposures tone mapped

No I didn't use a polarizer (I cant find the one that I have for the 35-70 ;( ) I normally do when shooting outdoors - which is not too often

01/19/2007 09:00:26 AM · #21
Originally posted by xxsprint:

i have been wondering...

i see what HDR images are, but how do you do them? is it something with the camera, photoshop, or what? i only have a very basic idea of it right now..

thanks :)


Normally you would take several photos of the same scene with different exposures (ie -3ev,-2ev,-1ev,0ev,+1ev,+2ev,+3ev) and then combine them using dedicated HDR software (possibly Photoshop has it inbuilt, I've only got PS Elements so use Photomatix Pro for my HDR). Its normally just a case of 2 or 3 mainly automated steps, although I'm sure it can be done with more control if you desire.
If your camera shoots RAW you can use several exposures from the same original RAW photo - or just load the RAW file into photomatixand let it do the hard work for you. You can even create HDR-style images from the same JPEG, just with different brightness/contrast/levels for the different images, but this clearly is nowhere near as effective as having the different exposures in the first place.

I suggest you check our Photomatix Pro, theres a free trial available and pretty clear instructions.

Hope this helps :)

Message edited by author 2007-01-19 09:01:27.
01/19/2007 10:47:59 AM · #22
Originally posted by Bear_Music:

With HDRI and tone mapping, you are compressing the tonal range but you are increasing the local contrast as well, something that is difficult (but not impossible) to do with conventional processing.


You can actually do local contrast enhancement pretty easily with unsharp masking, try Amount ΓΆ€” 20%, Radius ΓΆ€” 50, Threshold ΓΆ€” 0 as a starting point and see how you go. It works well for images that appear flat that you want to punch up.

Pages:  
Current Server Time: 09/08/2025 06:30:38 PM

Please log in or register to post to the forums.


Home - Challenges - Community - League - Photos - Cameras - Lenses - Learn - Help - Terms of Use - Privacy - Top ^
DPChallenge, and website content and design, Copyright © 2001-2025 Challenging Technologies, LLC.
All digital photo copyrights belong to the photographers and may not be used without permission.
Current Server Time: 09/08/2025 06:30:38 PM EDT.