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DPChallenge Forums >> Tips, Tricks, and Q&A >> Learning Thread — Landscape Photography
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04/27/2006 04:33:44 PM · #401
Much stronger, yes. Again, I'll reserve my comments for a little later.

R.
04/27/2006 04:34:13 PM · #402
Example of Portrait orientation

I don't have a thumb to show, but this is one of my favorite landscape shots, that I've taken in portrait orientation. They can work.. you just need to have the lines and flow to keep it interesting.
04/27/2006 04:56:08 PM · #403
I'm late to the party but have been watching this thread and practicing, because my Photoshop skills needed some real help.

Here is my vertical entry...


Feedback appreciated

Edit: I only have PS Elements 4 ;(

Message edited by author 2006-04-27 17:20:30.
04/27/2006 06:19:44 PM · #404
I took some vertical shots this afternoon and plan to post them later this evening. Can someone tell me how to go about posting them in this thread? Thanks!
04/27/2006 07:35:48 PM · #405
Pony up the $25.00 and join for a year then you can upload photos to your portfolio...and more

Click me

Originally posted by amandak:

I took some vertical shots this afternoon and plan to post them later this evening. Can someone tell me how to go about posting them in this thread? Thanks!
04/27/2006 07:43:05 PM · #406
Originally posted by amandak:

I took some vertical shots this afternoon and plan to post them later this evening. Can someone tell me how to go about posting them in this thread? Thanks!


Joining is a good idea. But you can also use imageshack.com to host photos for free, and when you upload, they give you the code you need to paste in your message to insert the thumbnail.


04/27/2006 07:55:25 PM · #407
Originally posted by wheeledd:

Here is a vertical/horizonal pair taken at the Baylands Nature Preserve, Palo Alto, California:


This is a scene that works either vertical or horizontal. The fact wheeledd thought to take it both ways and it looks good both ways is proof of that.

Some things just work better one way or the other. For me when I see aspects to the scene that have beautiful vertical lines I take it vertically to emphasize the "verticalness" of it. But here the exact same scene can have aspects of both so are taken both vertically and horizontally.
04/27/2006 07:58:52 PM · #408
Originally posted by Bear_Music:

Originally posted by wheeledd:

Here is a vertical/horizonal pair taken at the Baylands Nature Preserve, Palo Alto, California:



--DanW


Which works better, and why? Compare and contrast with Steve's two saguaro shots...

Robt.

This one is sort of tought, as there are strengths to each shot. The horizontal has more of a "wow" impact for me, I feel like I can sit and look at it. However, as someone said a while back, the vertical shot has a much stronger sense of actually being there, as if I could step into the shot. I think it also focuses more on the water as a subject, where the horizontal splits between the two with a centered horizon - so the vertical is somewhat more interesting.
04/27/2006 08:07:45 PM · #409
Originally posted by Mambe:

Do people want me to continue doing PP demonstrations?

I say yes for me. Though I consider myself a PP sophisticate and do some teaching I am always open to new ideas and new learning. I'm certain you (and everyone here) can teach me and I will listen. :)
04/27/2006 08:08:39 PM · #410
Well here's my 2 cents:

For wide angle lens landscapes including foreground and distant backgound, verticals emphasize depth while eliminating any side distractions and the broad "landscape" feeling you get with a horizontal shot.

Consider this landscape, and compare it to my other Zermatt shot. The vertical is shot from a lower altitude, yet it tends to alert your sense to height more.


It's mainly psychological. We see broad landscapes as peaceful/serene. Verticals are more visually associated with height (and depth) and tend to evoke different feelings.

Here's an interesting comparison of depth and breadth:



These are different crops of the same frame. Which one do you like better. (These are from my Acadia shots, not Zermatt.)

Message edited by author 2006-04-27 20:10:36.
04/27/2006 08:32:51 PM · #411
In most landsacpes, whether vertical or horizontal, I don't often use DOF to emphasize distance. I almost always go the other way to try and make the scene focused everywhere. That is because distance is not a factor in most of my landscapes. For that matter, I don't think it is in most landscapes in general. But it can and is used to great effect in some landscapes.

I will chose a vertical orientation for a "landscape" when vertical lines within the scene literally beckon me to orient it vertically.

Another factor that plays a big roll for me is the number of interest elements there are in the scene. If there are few elements then vertical becomes a more natural selection.

What vertical often does is allow the photographer to draw attention to elements in the scene. Most landscapes are panoramic and less focused by their horizonatal nature. "Wideness" is an important compositional element in them. Most "vertical" landscapes draw much closer viewer attention to particular aspects of the scene. It can be its verticality or any number of compositional reasons.

To me, the thing that most often distinguishes "vertical" landscapes from horizontal is an element in the composition that, on its own, almost demands closer attention and requires more image real estate than other elements. Vertical orientation most often provides that.


04/27/2006 08:50:50 PM · #412
Previous topic: I definitely want to learn some better PP skills. Just when I think I have a handle on it, I discover there's an easier way to do it. PS really has a lot of functionality hidden in special shortcuts, that aren't visible on menus.

For my landscapes, I rarely do selection type editing because it's a pain--I do use gradients to fade levels and curves adjustments, like a GND filter would do. I have also used the Painting with light techniques to burn and dodge, again, which don't rely on a selection.

But if I could do PP like Robert, I'd be happy!
04/27/2006 10:27:54 PM · #413
OK...I'm a little late to this party. I apologize for the interruption, but I'll try to catch up where everyone is. Here is an original and edited shot from this afternoon, which (I hope) incorporates the contrast masking idea. Please let me know if I'm on the right track or not...
Thanks!





Message edited by author 2006-04-27 22:31:15.
04/27/2006 10:39:06 PM · #414
I'm not sure what I did wrong that the thumbnails don't link to the original image...I need some help here...lol!
04/27/2006 11:04:02 PM · #415
Don't use the [img] tags -- those place the actual thumbnail image. Instead use the [thumb][/thumb] button (top-rightmost button when writing a post) and insert ONLY the image's ID number (at the end of the URL) into the text field which pops up.
04/27/2006 11:17:13 PM · #416
Thanks! I'll try that!
04/27/2006 11:35:10 PM · #417
2nd attempt...



04/28/2006 01:13:47 AM · #418
Originally posted by amandak:

Thanks! I'll try that!

Worked, I see : )

I'd suggest making the modifications you did but to a lesser degree than the current example. I'd especially like you to try and keep more detail on the grassy knob sticking out into the water, right in the center of the frame. I think your current processing has brightened it too much and lost some detail.
04/28/2006 03:45:21 AM · #419
Originally posted by amandak:

2nd attempt...





The General's correct; you've gone too far. It's actually a nice-looking thumbnail, but when expanded in size it's all blocked up and harsh looking. Something more like this is probably what you are looking for:



The original was very soft, so I sharpened it up some. I did a double pass of contrast masking, with the shadows set to soft light in the second pass and the brights layer faded to only 20% in the second pass. Then I did a hue/sat layer and bumped the yellow saturation. Then I bumped the green saturation and darkend the greens at the same time; net effect; more contrast in the foliage, more viusal modulation.

I suspect something very close to the contrast masking could be attained in this case with simple levels and/or curves adjustments, it's a very clean exposure. But I'm just used to the contrast masking workflow now and that's what I mostly use. Except of course it isn't legal for basic editing.

It's a nice shot, Amanda. In the context of our "vertical" discussion, it's worth noting that the central "horizon" on this works fine. That's often the case with vertical reflection shots. It's a well-composed image.

R.
04/28/2006 04:22:51 AM · #420
Thanks for the feedback! I agree that my attempt was overdone (and I thought that when I did it); I just wasn't sure what, exactly, I needed to do to it! Yours is definitely more of the look I was after. I had difficulty with increasing the contrast while maintaining the sharpness. I hadn't considered treating the greeens and yellows separately.
04/28/2006 05:11:33 AM · #421
Hey, Just wanted to say thanks Bear....

I'm following the thread I'm just a little slow as I'm back on page 9...

04/28/2006 02:08:19 PM · #422
Originally posted by Node:

Hey, Just wanted to say thanks Bear....

I'm following the thread I'm just a little slow as I'm back on page 9...


Haha! Go to your preferences and change how many posts show on a page; that'll move you right up to page 4 or something, and you'll feel better :-)

R.
04/28/2006 02:17:48 PM · #423
Just to keep vertical vs horizontal open for discussion, here's two shots, made at different times, of the same subject. They also use "leading lines", so they lead us to our next assignment.



Robt.

Message edited by author 2006-04-28 14:18:07.
04/28/2006 06:53:13 PM · #424
Originally posted by Bear_Music:

Just to keep vertical vs horizontal open for discussion, here's two shots, made at different times, of the same subject. They also use "leading lines", so they lead us to our next assignment.



Robt.

I think the vertical shot is the stronger of the two here. It framesthe boat better, keeping the eye right on it and the channel behind, where the other one seems a bit too open, and the eye can wander about. I'm going to step beyond just the format and comment on liking the lighting better in the vertical shot too, as it seems more dynamic somehow.
04/28/2006 07:01:34 PM · #425
Note important tip! : )

Originally posted by Bear_Music:

... it's worth noting that the central "horizon" on this works fine. That's often the case with vertical reflection shots....

R.
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