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DPChallenge Forums >> Tips, Tricks, and Q&A >> Black Black backgrounds
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Showing posts 26 - 36 of 36, (reverse)
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01/28/2006 05:10:12 AM · #26
We use black velvet too ... but beware.

There is a polyester velvet tha is nice and cheap ... and shiny too. The fibre has a plasticy reflective quality. Buy that and you have flare al over the place

Brett
01/28/2006 09:29:32 AM · #27
Originally posted by KiwiPix:

We use black velvet too ... but beware.

There is a polyester velvet tha is nice and cheap ... and shiny too. The fibre has a plasticy reflective quality. Buy that and you have flare al over the place

Brett


This is so true! The "real" velvet can sometimes be found on sale this time of year (after the holidays) at the larger fabric stores. I bought wads of it on sale at Hancock Fabrics and made a 12 ft x 20 ft backdrop that I LOVE. It works beautifully.

01/28/2006 09:39:14 AM · #28
Black Velvet.


01/28/2006 09:48:13 AM · #29
All my pics with black backgrounds were taken with a black sheet or a black mat board. A slight levels adjustment turns them black as night.
01/28/2006 11:15:32 AM · #30
I tend to have somewhat the opposite problem, actually. I shoot against a ballistic nylon BG for a lot of my macros because I like a little texture in my blacks, and people keep voting me down because they "assume" I missed the true black. For me, absolute black is mostly boring. It takes a bit more skill to get a "textured black" that gives the sense of depth of a true black without the same sense of an empty void.

R.
01/28/2006 11:24:22 AM · #31
Originally posted by BrennanOB:

...
Push the distance between the subject & backround far enough to avoid spilling light on the BG, and use a snoot or baffle if you have to...



Brennan, a what?

Alice
01/28/2006 01:14:34 PM · #32
Originally posted by sfalice:

Originally posted by BrennanOB:

...
Push the distance between the subject & backround far enough to avoid spilling light on the BG, and use a snoot or baffle if you have to...



Brennan, a what?

Alice


A "snoot" is a tube on the light to focus a narrow beam; imagine a toilet-paper tube in front of the light and you'll get the idea.

R.
01/28/2006 01:16:30 PM · #33
Originally posted by Bear_Music:

Originally posted by sfalice:

Originally posted by BrennanOB:

...
Push the distance between the subject & backround far enough to avoid spilling light on the BG, and use a snoot or baffle if you have to...



Brennan, a what?

Alice


A "snoot" is a tube on the light to focus a narrow beam; imagine a toilet-paper tube in front of the light and you'll get the idea.

R.


Check. Got it. Thanks, bear_music.
01/28/2006 02:08:01 PM · #34
This is probably a dumb question, but my camera doesn't show the information needed to test it that I know of..

During my (film) photography class we were taught that if there are 5 stops difference in light between the subject and the background, the background would go black - does this still translate with digital or does it get wonky due to the digital nature?

If it does follow.. might be an idea to try.

Hopefully I remembered the technique correctly. :)
01/28/2006 03:26:55 PM · #35
Originally posted by LucidLotus:

This is probably a dumb question, but my camera doesn't show the information needed to test it that I know of..

During my (film) photography class we were taught that if there are 5 stops difference in light between the subject and the background, the background would go black - does this still translate with digital or does it get wonky due to the digital nature?

If it does follow.. might be an idea to try.

Hopefully I remembered the technique correctly. :)

Not dumb at all. Film has a larger dynamic range than most digital camaras, so if 5 stops pushed the background to black for film it would likely be overkill for digital. 3 stops would likely work for most cameras, 4 stops even better. But, yes, 5 stops difference would work as well. ;)

David
01/28/2006 04:16:15 PM · #36
haven't read the whole thread so if someone already told you this sorry :0)
In basic editing you can go to selective color. go to the black channel and darken in black. This always saves me from my wrinkled background! I also use it to give just a little more depth to images instead when I want just a little boost without levels.
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