Colorful view
by Melethia

Comment:
An interesting division of space in that frame; but the 'view' perhaps lacks a sense of harmony, of humanity, for me. Entirely competent work, but it doesn't have that spark of fsacination for me.

Fountains and Talisman
by GeneralE

Comment:
I don't see what this gains from being such a very wide shot - at least, given your title as a guide to your intended subject. For instance - the rear-view mirror would have been enough to suggest 'car' to us, and getting that close would have allowed us a much more detailed view of the fountains. There's a certain interest in tha shapes of the talisman and the water, but it's swamped by the broadness of your frame, i think.

Window on The Universe
by dannylee

Comment:
I think to properly pull off this trick shot you need less full-on front light on the frame - the level of illumination there simply makes this look like exactly what it is.

OLD STEEL WHEELER
by corrie

Comment:
I suspect may will find the treatment of this extreme, but it seems to me (aside from what looks like over-done sharpening) very close the sense of a genuinely old print. If only the image itself were of something a bit more engaging, a bit more ... human?

C3PO & R2D2
by cubix

Comment:
Almost, almost ... if only for a smoother sand-dune. I like the touch of noise presumably added in the sky to match the feel of the sheet/blanket. I think, givem the evident set-up, I might have tried for a more dynamic composition - puttig the little guys less dead centre might add some dynamic. fun shot.

Past it's glory
by BMacD

Comment:
Well done - you have at least found a sense of the bizarre in this subject; ther's almost an animal grimace in that radiator venting - and the tonality aids that very well. Perhaps slightly too tightly cropped for really comfortable viewing - always beware the edges of frame if you haven't the motion, the relationships to pull the eye back in.

1947 Willys Jeep
by Diana

Comment:
Technically accomplished prtrait of a vehicle - as an illustration it's faultless. In this challenge however ... well, it neither is nor looks that old, and there is little more to the image than its subject - no magic in light, environment, relationships, and no surprise.

Old town
by imagine74

Comment:
Very flat light has robbed this of a possible sense of magic, of real age i think. The composition is quite clumsy too - the blue tower/minaret is the obvious draw in this image, and your placement of it in frame doesn't do anything to aid the movement of the eye through the frame; a corner, a thirds line, at a point of joining of the various lines implied by the roofs ... but here the window and the distance have an equal draw and make the whole rather difficult to enjoy.

Old path into the darkness
by Prime_Time

Comment:
This has an interesting juxtaposition of the organised and the disorganised, in both the progression within the bridge's boards and the surroundings re the bridge itself; however I think your tonality has strayed so far into the pure black/white world, with few greys, that any sense of photographic representation is almost lost. The composition is slightly at odds with your title too - it's the tangle of bushes rather than the darkness that seems the reference point of the motion indicated by the bridge.

Sharing Some Sun
by Frankie91

Comment:
Feels like a squeeze for the chalenge theme I'm afraid, and i think you'll get hit for it. The voters I'm afraid, take an oh-so-straightforward view. Besides which, the image lacks a sense of impact, a sense of a different and intriguing point of view, and a subtlety of light and composition.