linescape
by bvy

Comment:
Demanding and enlightened. Driving the point home with a feather, rather than with a hammer. I love it. Thank you.

Contemplation
by vawendy

Comment:
This is probably the best of the literalist Leading Lines photographs. You've managed to navigate elegantly between satisfying the DNMC Police's lamentable and myopic literalism, and the aesthete's more liberated expectations. A very fine photograph in every sense. Thank you.

Twister
by skewsme

Comment:
Works brilliantly. The overall effect is astonishingly convincing, but the small (and even the very small) details are sublime. And the toning is beautifully malevolent. Even the normally awful postbox frame serves; I feel like I'm peering at it through a slit in a bunker. And not entirely sure that the bunker will be strong enough to endure this monster. Top two for me. Thank you.

La Vecchiaia e la Solitudine
by whiteroom

Comment:
La speranza è l'ultima a morire. Grazie.

2001: A Space Odyssey
by mefnj

Comment:
This is just superb for the movie and the TMA-1 revelation. And in the style of SK too. Well done & thank you.

Bænken (The Bench)
by Carlo21

Comment:
Love all those verticals intersected by the bench. Something nicely inevitable about it. Thank you.

orson welles in CITIZEN KANE .as seen by an impressionist
by cutout

Comment:
I'd probably have passed this by if not for the raging face under the hat brim (which is the point of it, I know). It's not my usual cup of tea and still I like it very much. Thank you.

Self Portrait
by jmritz

Comment:
You have a noble bearing John.
P.S. Your molecules are open, man. For Goodness sake check the mirror before you appear in public like this.

sand
by bspurgeon

Comment:
Crikey! It lives! Classical Greek, too. That's some reach you have Ben.

TreeAndRope
by Covert_Oddity

Comment:
Ah, thanks for that added info. I'm also about to start my own developing & scanning, with medium format film. I'll look forward to seeing more of your stuff here.