Pensive #2
by Aaron

Comment:
Fabulously exposed, great choice of complementary background. Excellent crop, too.

In the Spotlight
by arnit

Comment:
Totally gorgeous picture. Full of atmosphere. Perfect colour.

Got Milk?
by arnit

Comment:
I absolutely LOVE that expression. It is so resigned to being dowsed in milk that I don't look beyond his face - so I can't criticise your framing/colours/aperture etc because I never get that far into the photo. Totally brilliant!

Night Moon
by kerrywc

Comment:
Not exactly an original idea, but I like it a lot. Being plonked in the middle of the frame, I have to admit, gives the Moon a certain weightiness.

Guiding Light
by kosmikkreeper

Comment:
Absolutely gorgeous. Cold and snug at the same time!

never exposed for long!
by cvt_

Comment:
I really like the slight crumpling of the wrapper. The black background shouldn't really work, but it does - enveloping the whole scene in cosy darkness (ideal for choc-munching). For a real ad shot, I think the client would have demanded everything a micro-dab sharper.

One Last Fling
by BNC

Comment:
This could so easily have ended up an over-busy, over-coloured and unfocused shot. But it isn't. It is a really cheery splash of colours, with a challenge-relevant title.

Middle Row
by UberFish

Comment:
The little dab of lens flare is unfortunate. My eye was drawn to it immediately because I use a flare-prone 28mm lens pretty-much all the time, so flare often sneaks up on me, too. The road being topped-off with a litter bin doesn't help the elegance of the shot. However, I do like the scene overall, and the light levels have created a real mood for me to enjoy.

Infinite Chocolate
by sn4psh07

Comment:
Beautifully lit. I love it. Or do I love the subject? Either way, you should go to prison for not inviting us to tidy-up your studio afterwards.

NY1.jpg
by dan_pendleton

Comment:
I don't often bother looking closely at city shots. The thumbnail is usually quite sufficient. But this really drew me for a closer look. I don't like the person just entering the frame, or the blurriness of one of the vehicles in particular. I do like the inclusion of light-coloured vehicles which brighten the overall cosy darkness of the scene.