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Comments Received by owen
Pages:   ... [194] [195] [196] [197] [198] [199] [200] ... [208]
Showing 1961 - 1970 of ~2075
Image Comment
Bird on a Pole
09/19/2005 09:23:12 PM
Bird on a Pole
by owen

Comment by KiwiShotz:
Great DOF
Photographer found comment helpful.
Bird on a Pole
09/19/2005 09:12:02 PM
Bird on a Pole
by owen

Comment by Chippie19:
the bird almost looks unreal ... nice photo
Photographer found comment helpful.
Bird on a Pole
09/18/2005 11:06:37 PM
Bird on a Pole
by owen

Comment by oOWonderBreadOo:
hehe I like it. if I might say, the birds feet look almost too vibrant. It might be totally natural, just an observation. 7 :0)
Photographer found comment helpful.
Bird on a Pole
09/18/2005 06:37:48 AM
Bird on a Pole
by owen

Comment by CalliopeKel:
Great shot of a colorful seagull. Excellent. 10
Photographer found comment helpful.
Bird on a Pole
09/16/2005 07:06:24 PM
Bird on a Pole
by owen

Comment by TheresaA:
Nice clean image with lots of good perspective.
great color and composition.Good Job!
Photographer found comment helpful.
Bird on a Pole
09/15/2005 04:07:13 PM
Bird on a Pole
by owen

Comment by theskitch6:
I thought the bird was fake at first glance! Crazy lighting! I like it.
Photographer found comment helpful.
Bird on a Pole
09/15/2005 02:57:03 PM
Bird on a Pole
by owen

Comment by madison461:
The first thing I see in this photo is some weird looking red legs, like the bird was cut and pasted there but then I notice the bird on the pole down the line. The red just seems too hot, oversaturated or sharpened. Neat capture however.
Photographer found comment helpful.
Bird on a Pole
09/15/2005 10:52:27 AM
Bird on a Pole
by owen

Comment by lyta:
This bird almost looks superimposed. Cool!
Photographer found comment helpful.
Lightwave
09/15/2005 06:27:39 AM
Lightwave
by owen

Comment by ubique:
G'day Owen. Greetings from the Critique Club!
Odd co-incidence; my first CC critique and the shot was taken quite close to where I live.
The image is undeniably High Contrast, and yet it's not really that particular quality that first engages the viewer ... it's more the deft composition and the beautiful transluscent nature of the breaking wave top that establishes the initial impression. That slight subordination of the challenge theme is no bad thing, in my view. You have instead used High Contrast with more subtlety than most, as a natural extension of your vision for the subject. In other words you've avoided using High Contrast as a drunk uses a lamp post - for support rather than illumination.
Your composition is ultimately the most impressive and instructive aspect of the image. I applaud the fact that you have resisted placing either the rock or the sun at one of the classic 'thirds' intersections. Your photograph is all the more harmonious for that decision, because your slightly 'weaker' placement of those two elements means that attention is not unduly deflected away from the wave top. For the same reason, the placement of that wave top at the vertical half-way point is apposite - we therefore don't see the usual stretch of wet sand at the bottom or big sky with seagull at the top ... you knew exactly what your subject was, and you confidently eliminated everything that wasn't it! This is a fine image; beautiful and, if the viewer will take a few moments, also highly instructive. Among other things, it is a very powerful example of when it can be appropriate to bend the conventional compositional rules.
Cheers,
Paul Martin
Photographer found comment helpful.
Bird on a Pole
09/15/2005 12:01:30 AM
Photographer found comment helpful.
Pages:   ... [194] [195] [196] [197] [198] [199] [200] ... [208]
Showing 1961 - 1970 of ~2075


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