She Never Came
by GeorgesBogaert

Comment by CNovack:
Voted earlier coming back to comment.

I like the story idea and the angle of the bench adds visual interest. I think you could have gotten at a lower angle that the bench filled the frame. The bench slates would still be going at a diagonal like you have the beginnings here but the leading lines would be stronger because it would fill the frame and lead the eye directly to the left behind floral bouquet. I think it would be better visually if the flowers were in sharp focus like that of the bench. Hmmm, I wonder it the story would have an even stronger emotional impact if the flowers were wilted showing the passage of time - he waited a long time but she never came.

Mondrian-Ribbon
by GeorgesBogaert

Comment by CEJ:
Hmm...two people almost thought like me, but ultimately I stand alone on this one. A ten from me. Very creative. I know what the set-up can be like. Good work!

She Never Came
by GeorgesBogaert

Comment by kiwinick:
What a Bugger!!!! can't trust them Eh!! it doesn't to be sharp on the flowers

Mondrian-Ribbon
by GeorgesBogaert

Comment by godot:
It does reflect the grid-based abstracts and rectangles of color (colour) Piet Mondrain is famous for.

Mirror mirror on the wall, which city is the fairest one of all?
by GeorgesBogaert

Comment by damjanev:
The reflection is the thing that makes this image work for me.

Mirror mirror on the wall, which city is the fairest one of all?
by GeorgesBogaert

Comment by bmartuch:
Very nice reflections.

Mirror mirror on the wall, which city is the fairest one of all?
by GeorgesBogaert

Comment by armando_m:
beautiful reflections

Mondrian-Ribbon
by GeorgesBogaert

Comment by newsforjim:
Nice.

This stinky-tofu smells bad !!!
by GeorgesBogaert

Comment by Revecca:
Interesting and different subject.

Brain-Display Fatal Error
by GeorgesBogaert

Comment by undieyatch:



Trade-show? - monitor display attention grabber. Crop feels to tight, but I like it as matter-of-fact, found object of contrived asymmetry. Gave 8.