Guy in hat
by Melethia

Comment:
I wear my hat
and walk
in water light.

Can you see me
Dreaming,
Do you see how once
I had a dog that listened,
flopped his ear just so?

Week 08 - Mist
by hajeka

Comment:
Love the grain! Totally works with this very simple moment.

Prada Building - Tokyo
by kolasi

Comment:
You live in another world over there in Tokyo, and I never tire of your "reports," though I think you could do a whole book on this building. In any case you have delivered on so many wonders of it, variations in glass (could spend hours examining reflections in each diamond), balanced and scaled by trees and people.

Wk_7_B&W_Cuyamaca State Park
by twmax

Comment:
Once again I am caught up in your time of day. Whatever you did aperture and timewise, the viewer floats along the marshy foreground, pausing like the lone figure from time to time, towards the lightly treed gap between the hills.

Night Rider
by Germaine

Comment:
Most effective: darkest rider, brightest lamp, midtones for what is blurred. And something to learn from.

_DSC2790095a.jpg
by WalesP

Comment:
You've really turned this old besmirched support structure into a work of art. Sweet detail of the little Xmas(?) lights and the little tree.

Finnish Parliament
by salmiakki

Comment:
Very good tones, and the sky is just exactly right in my opinion. You have described the scene with a very pleasing set of reverberating verticals, and the composition carries the weight of your parliament building with dignity.

Sand Harbor, Lake Tahoe
by jdannels

Comment:
I have still to develop a feel for HDR, but what I really like here is the way the textures are developed in the foreground rocks so that they resonate with the background hillslope and streaks in the sky.

World's Fair Pavilion
by trevytrev

Comment:
Just a drive by shooting? So much there. Before I read Ecce Signum's suggestion, I was wondering how it would look if you cropped out some of the sky..., but my compositional muse wants to stretch the whole thing laterally and compress vertically, though the muse offers no hints as to how to do that. I'm not sure I'd want to lose anything here as it is all interesting and wonderfully contrasty, geometric and billowy.

Week 4 - Marion Harbor
by CapeSail

Comment:
First thought is that one gets up early for a shot like this, and sees in a wonderfully different light: the boat is dark and graceful on the still water while the yachts are moored in the distance, a bare thought or suggestion, and right before us at our feet the shore and a convenient ladder to which is tied the boat in which we might or might not motor to one of the yachts. Second thought is that the dark outer frame is a good foil for this mostly light picture and brings out the boat, though I am thinking of it as a wider matting should it be printed and framed. The faint details all on the horizon make this picture, pull us out.