Parallel Universe
by pgirish007

Comment:
Parallel Universe I don't know, more like twin planets. Nice clean image. Wow factor is missing for me due to lack of colour.

Elegance
by LevT

Comment:

Originally posted by LevT: Originally posted by willem: Originally posted by posthumous: Originally posted by willem: The light on the front of he face and shoulder is very nice, drawing the outlines. But in my view the transition from light to dark is too harsh for the shape of her face and then the light from the left is too strong again. Rather then a light (or reflector) from the left I think a slight reflection from the direction of the camera could have filled in some too strong shadows and emphasised the round shape of her cheeks and face. this is like telling an artist who works in ink that he should use charcoal. I made the comment because in my view chiaroscuro is more about using charcoal than it is about using ink, i.e. use the pressure of the charcoal (the intensity of the light) to provide shape and depth to an object. If you prefer to use ink, please feel free. willem in any BW photography the intensity of the light reflected from an object provides shape and depth, there is nothing else there. Chiaroscuro implies strong contrasts between chiaro (bright) and oscuro (dark), that's the whole point. I intentionally left the front in strong shadows, actually I even darkened it in post-processing a little bit specifically to amplify this effect. I also did not understand your original comment that the light from the left was too strong - I think it is very soft actually.

No problem, there might be different interpretations of what chiaroscuro is about. I was describing my interpretation and I was describing how I saw your image related to that interpretation, in order to explain the background of my scoring. I realise in my style of comments I often focus mainly on improvement points (again: from my perspective) maybe without emphasising the strong points of an image. To explain better my original comment: I see for example the forehead highlights almost blown out and then the temple almost fully black. To me this was a very rapid transition from light to dark over a very small distance of the face, which in my view created a too harsh look. Considering the soft rounded shape of the face I would have preferred a more gradual transition which could have been obtained by some extra reflection from the front. Again, all subjective, all to explain the scoring, and to offer suggestions. If your interpretation and preference is different, no problem.

Elegance
by LevT

Comment:

Originally posted by posthumous: Originally posted by willem: The light on the front of he face and shoulder is very nice, drawing the outlines. But in my view the transition from light to dark is too harsh for the shape of her face and then the light from the left is too strong again. Rather then a light (or reflector) from the left I think a slight reflection from the direction of the camera could have filled in some too strong shadows and emphasised the round shape of her cheeks and face. this is like telling an artist who works in ink that he should use charcoal.

I made the comment because in my view chiaroscuro is more about using charcoal than it is about using ink, i.e. use the pressure of the charcoal (the intensity of the light) to provide shape and depth to an object. If you prefer to use ink, please feel free.

not paradise / desparation
by willem

Comment:

Originally posted by primabarbara: This is an amazing work - well done. I love the off centered composition as well as the pose, the light and the implementation of the anagram (no harm that you misspelled one word) Congrats!

Thanks, I spent quite some time to get the pose as I wanted, since it needed the express the desperation, it needed to show the mask, and I wanted the arms to pick up the light and show this balanced N shape, even though the body is almost perpendicular to the camera. I had to open up the left arm to show the mask, I had to push the right shoulder forward, elbows resting on a chair set at an angle, and then I had to put the hands flat on the head (2 seconds after pushing the remote ;-) ). A more natural "desperation" pose produced a much more messy picture that I did not like, with arms on the head, second arm hardly visible and mask hardly visible. It would not get the link with COVID across.

Snowed in
by MargaretNet

Comment:
Great leading line of the fence up to the farm. Nice scene. I can't see the separation between the roof and background but does not matter to me since the weather is not fully bright so it matches the atmosphere. There is a purple colour cast caused by the vignette.

Sunset Farm
by tnun

Comment:
I like the four layers in this image. For me the foreground layer is a bit too much, I would crop away part of it to bring it more in balance with the size of the other layers.

Colorful hills
by Alex_Petrini

Comment:
Gorgeous. I love the low light and how it makes the yellow trees jump out. The three layers (warm foreground, then low clouds, then mountains) work great together.

Side Entrance
by JakeKurdsjuk

Comment:
I love infrared and it works well here.

A quiet place to sit
by markwiley

Comment:
Wow, very different and attractive scene. Nice depth as well. I am sure this will do well since it has the appeal factor. Personally the post processing is a bit too strong for me, it causes a purple colour cast across the whole image, even the grass and the white chair.

a kingdom for a horse
by posthumous

Comment:
I like it how you have included the sky to this scene, but I think by emphasising the sky colour you have added a strong blue cast to the total image (if you use photoshop levels eyedropper on the white building you get the natural colours). There is also quite some distortion: the white building is straight but then the lines both on the left and right side falls inwards towards to top, especially visible in the two silos and the red barn on the right. Is it caused by the wide angle lens or by by post processing? It could be corrected with a perspective correction.