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Showing 1751 - 1760 of ~2866 |
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| 09/02/2004 06:14:21 PM | Framed by ivashComment: Good shot. The stone-work generally seems to lack a little punch - I would personally have pushed it a little harder with curves or something, just to bring out the contrast there more. That said, that quality does allow the compositional thing with the tree to come out well. Can't quite see it on the front page, but I couldn't say why it doesn't deserve to be there. very good, actually. 9 | Photographer found comment helpful. |
| 09/02/2004 06:10:48 PM | Street Playby jjbeguinComment: Well this just has to be JJ. Very nice to see that more recent stuff, those detached candid studies, being combined with the architectural work we all know you so well for. I like the indignificance of this child against the loom of the archways, and the parallel disinterst of the child in his surroundings. Great balance. I suppose I should add that if this isn't JJ, then it's the best impression of someone's style I've ever seen. | Photographer found comment helpful. |
| 09/02/2004 03:32:48 PM | Mind, Body and Spirit by nico_blueComment: From the Critique Club
It would be pointless of me to make remarks about any percieved technical problems with this shot - you're good enough to get this far, you're good enough to know for yourself what you like/don't like and why about it.
I'm no fan of hyper-stylised posed photography, nor of most studio work, but I have written what I think before on a couple of ribbon-winning shots and got slated for it, so am going to add nothing more.
Your ribbon must be your critique, I fear.
E | Photographer found comment helpful. |
| 09/02/2004 05:10:42 AM | Who`s afraid of the big, bad, wolf?by geewhyComment: It's only on my third look at this shot that I've worked out the relevance of having a one-legged person here :-) Sense of mystery quite well done - rare here - though I'm not completely sure it's not over-done. I think having the figure closer might have paid off more - let us see the fear, rather than having to imagine it and work out what's happening. But the setting is ideal - the threatening woods are such a strong part of the darkness of true fairy-tales, and that alone puts this in the top bracket. | Photographer found comment helpful. |
| 09/01/2004 07:01:45 AM | Le Petit Chaperon Rougeby AmiYuyComment: Great idea - not wildly original, but doeasn't matter at all - and well posed and located. Good composition, too - placement of girl in frame, choice of trees and movement of the path through frame, allowing enough 'forest' to be a major element. But it lacks mystery, unfortunately - lacks any kind of mystery for me. I cannot believe the wood would have been such a friendly sunny place as this. I think with a lot of selective darkening of certain areas - the ground, mainly, and the vanishing point of the path, that might have been achieved taking this as a base. It cries out for a more ghostly, threatening light. But good work, nonetheless. | Photographer found comment helpful. |
| 09/01/2004 06:50:15 AM | The Moment I Caught The Tooth Fairy.by jimikaComment: Intriguing set-up, for me badly let down by what looks like on-board flash - that very harsh shadow, mass of bright reflections. I think you've gone some way with editing to correcting that, but the effect on the figurine remains. Like the halo-effect, but really wish that light could have been softer, less brutally front-on. Having said that, the kind of mock-photojournalist black and white treatment is effective, quite dynamic ... and I guess that flash could be used to help that effect ... but given it's so obviously set-up, I think my original opinion holds. 6 | Photographer found comment helpful. |
| 09/01/2004 06:39:11 AM | Thumbelina - "A graceful butterfly constantly fluttered round her"by ccraftComment: The transition in to blur is so very sudden that one has to presume this is edited rather than shot that way - but it is effective, achieving what the shallow dof should do in complicated and distracting background situations. Crop and composition is pretty good, I just find the positioning of those leaves and flower a touch strange - as is the light there, really quite blank. The more I look, the less i think you needed to keep the dead space image left - it seems wasted, rather than influential. | Photographer found comment helpful. |
| 08/31/2004 10:27:57 AM | Secret Garden by mrorange002Comment: Does have a sense of the bizarre that perhaps truly belongs in a fairy tale. My first impression though, is more of a slightly weird commercial than of magic. Excellent technical work, almost as good as the make-up. | Photographer found comment helpful. |
| 08/31/2004 10:26:05 AM | Spoor of the Tooth Fairyby GeneralEComment: Dang - must be the evil expansionist/imperial tooth fairy, then. The worldwide conglomerate tooth fairy - not happy with the simple process evolved by the traditional tooth fairy over millennia, resorts to morally dubious means, though remaining within the letter of the written law, to drive an increase in turnover in a business beset by improving dental medication and care. Analysts at Thrust Clench and Grasp, city stockbrokers, expressed their approval.
Technically, I think your image could perhaps have benefited from a clearer depiction of location - at this closeness, it isn't really clear what these surfaces are. Control of light could have been better too - the highlights are a touch harsh, and composition is a bit blunt and lacking finesse. But it's a neat twist, all the same. 7 | Photographer found comment helpful. |
| 08/31/2004 10:20:28 AM | "One bite, and all of your dreams will come true..."by stupidcatComment: Comes across as twee, contrived, sentimental. Of course it's technically wonderful, compositionally assured, very well lit, etc. etc., but it doesn't do anything for me as photography. Really competent comission work, but lacking any real imaginative fire. I'm sure it will score well however. | Photographer found comment helpful. |
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Showing 1751 - 1760 of ~2866 |
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