Portrait of a broken door handle
by GinaRothfels

Comment:
Difficult to achieve I know, but there could be more sense of texture in the material of the door itself, no? Just to add that real edge of contrast to the metal of the handle? It has a feeling of a half-stop or so over-exposure, and that that has leeched away some of the tonality and finer detail in those textures. Nice work all the same.

Broken Biscuits at the bottom of a cookie Jar
by train

Comment:
Excellent light, good sense of texture, and I love that background for this. Spot on exposure, to my eye.

Broken In
by dsb_mac

Comment:
Good light, good tonality (although it seems to very oddly across the frame). Strong sense of texture and age - composition seems a touch forced though.

Lights Out
by Prof_Fate

Comment:
Nice composition - although I think your prcessing, certainly in terms of the darkening of the background, could use more work - it's really quite visible, and it looks like a mistake rather than deliberate. Likewise there seems t be a lighter area around the lightbulb that smacks of selection inaccuracies. Not badly lit at all - some real shape here.

Broken, Beaten, and Abandoned
by JEFFJSB

Comment:
Good shot, though ti's a shame about the jaffies around the screen frame. It's a neat compsition too, and I think you do very well not to fall into the common trap of trying t show the whole car.

I'm sorry it had to end like this.
by xtabintun

Comment:
Ah. A sad end to a sad tale. Let this stand as a warning to others ...

E

broken horn
by spease

Comment:
This is so very much only a record of something - photography used as a way of making that. The light is very flat, the background, whilst well executed, makes that documentary element even stronger. Give the light some angle (i.e. don't use on-board flash), and you have some sense of three-dimensions to this, and that alons would add a whole element of interest.

Pencil's broken...Spirit is not!
by glad2badad

Comment:
Well, I'm a real hater of this kind of border, I fear. I just don't get the point of it., and it seems to serve only to distract from the actual photograph.

Neglected and Run Down
by Heavy

Comment:
Good work - love the sense of location, so important to these shots. I think you could have darkened the foreground a little, and added impact thereby - it would have brought out the yellow tones in the grasses, and complemented the sky quite efffectively.

Pride of London
by Imagineer

Comment:
... and lurking in the haze just to the right of the Cathedral, is the vague outline of one of the towers of the Barbican Centre: so make that three iconic bits of british architecture. That last, of course, doesn't get quite the plaudits of the others.