Image |
Comment |
| 02/23/2005 04:31:19 AM |
Midnight Mist by RulerZigzagComment: Delighted for you Tony - isn't that first ribbon feeling great? As henry said, that number of 1's is quite unbelievable, and not understandable. |
Photographer found comment helpful. |
| 02/23/2005 04:21:19 AM |
Steel Ghostby MickComment: Ouch. To get that far into the 7's and not ribbon is really painful. Great control of the light here, and whatever processing you've done has been achieved with real care. |
Photographer found comment helpful. |
| 02/22/2005 04:53:55 PM |
Toll Bridgeby patman49Comment: The scene overall is pretty well shot - good exposure, sharpness, sense of shape on the buildings, sense of light. The downside, and I fear it will really hurt your score, is that the bridge itself lacks definition almost completely. |
Photographer found comment helpful. |
| 02/22/2005 04:52:09 PM |
Suspensionby Pug-HComment: Almost, but your composition is weak I fear: bridges are almost by definition the perect leading lines, and you have to have a real strong sense of the graphic if you aren't tp put at least one end of a bridge in a strong part of frame. |
Photographer found comment helpful. |
| 02/22/2005 04:50:34 PM |
The Age Of Steamby om10Comment: Apart, perhaps, from the bloody electricity pylon in the background - oh for spot editing, huh? Decent exposure, but lacking in the pin-sharp quality that would give it real presence and impact for such a documentary photograph. Pretty well done though. |
Photographer found comment helpful. |
| 02/22/2005 04:48:09 PM |
In Between the Bridgeby StagoleeComment: Validated? I guess it does have the impression of selective editing in the brightness of the water, though. Strong image, a little let down compositionally for me: I can't help thinking it would be enormously stronger for a crop at the bottom of frame: i think you're relying on a near-double symmetry, but that only serves to weaken the overall impact of that parkland and the flag, and undermine the strength of the sweep of those twin bridges. Won;t be surprised to see it do well, however. |
Photographer found comment helpful. |
| 02/22/2005 04:43:20 PM |
night passageby Tom_RobbrechtComment: Pretty good detail in a tricky situation. The composition lacks some strength I'm afriad - trickier subjects than they immediately seem, are bridges. |
Photographer found comment helpful. |
| 02/22/2005 04:41:49 PM |
Bridging the Culture Gap at the Chinese New Years Paradeby JPRComment: Good stuff, and a clever selection, I would think. Your primary subject is distinct, although the shot meets few of the 'rules'. The downside, a little for me, though i think more perhaps for the site in general, is that it relies on your title so much - but I appreciate the difficulty of going outside the immediately obvious in these challenges. Nicely done. |
Photographer found comment helpful. |
| 02/22/2005 04:37:41 PM |
Archesby sibelingComment: Good solid shot, although perhaps just a bit uninspired in your sense of composition (I'm not by any means suggesting that that was an easy thing, just that this seems a little - robust, shall i say?). I also wonder if you couldn't have made more of the light on the bridge itself - there is some good interest there for me, but I feel that there might have been more. |
Photographer found comment helpful. |
| 02/22/2005 04:32:32 PM |
Childish Bridgeby palmfrodurComment: There are problems with lighting, quite beyond the colour temperature that I'm sure others will have mentioned: the direct flash, especially with a subject so very close to a flat surface, produces very very hard shadows, which are almost universally unattractive; coupled with that is that shadow of (presumably) the room light, which is also quite harsh. |
Photographer found comment helpful. |
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