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| 11/07/2017 09:41:05 AM |
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Photographer found comment helpful. |
| 11/07/2017 09:38:52 AM |
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Photographer found comment helpful. |
| 11/07/2017 01:15:05 AM |
It ain't me, babeby ubiqueComment: Originally posted by ubique: It's not really about anything at all. It's just a shallow dip into a bucket full of random photographs. To celebrate what photographs are when both photography and subjective coherence are excluded. |
but then you do fill the frame after all. |
Photographer found comment helpful. |
| 11/07/2017 01:02:17 AM |
Lightby posthumousComment: I like the use of the abandoned building as a trigger and a background of the short poem. For the viewer (that I am) it provides some hints and anchors to the writer's intentions. For the reader (that I am still) it provides a well deserved diversion from same. Thank you for balancing me out (and yes, highlights do cause headache, which is fine). |
Photographer found comment helpful. |
| 11/07/2017 12:45:59 AM |
20171024_164427-Bearbeitetby primabarbaraComment: A well presented set of images. I like the meditative impact of the repetitive shapes. I think I could gaze at one of them to make a 3D image pop up (like in a Magic Eye image). With that, the car is a wakeup call in the series. |
Photographer found comment helpful. |
| 11/07/2017 12:27:05 AM |
_DSF3687_colourby daisydavidComment: I love the unfiltered and unpolished presentation of what is usually quite the opposite with such events. The Shakespearean quotes added another, more intellectual, angle to the scenes. The way the initial hectic scenes transform into a dreamlike flashbacks may be representative of how the bride may retrospect this whole thing. The first image is, well, a killer in so many levels. Thank you. |
Photographer found comment helpful. |
| 11/03/2017 07:00:31 PM |
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Photographer found comment helpful. |
| 11/03/2017 06:52:09 PM |
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Photographer found comment helpful. |
| 10/28/2017 03:06:48 PM |
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Photographer found comment helpful. |
| 10/26/2017 11:07:04 PM |
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Photographer found comment helpful. |
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