Image |
Comment |
| 06/03/2007 08:16:21 AM |
Mango:Kenya by hotpastaComment: great portrait, little color on his thumb and finger but otherwise perfect
8
Jack |
Photographer found comment helpful. |
| 06/03/2007 08:14:09 AM |
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Photographer found comment helpful. |
| 06/03/2007 08:12:10 AM |
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Photographer found comment helpful. |
| 06/03/2007 08:09:00 AM |
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Photographer found comment helpful. |
| 06/03/2007 08:01:47 AM |
Quick run! Don't look behind you...by HawkeyeComment: would have been more effective to have her sitting closer to the cliffs so you don't cross the strong diagonals coming from the L. even sitting on the stone would have been better. The colour of her sweater is a problem too.
5
J |
Photographer found comment helpful. |
| 06/03/2007 07:58:57 AM |
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Photographer found comment helpful. |
| 06/03/2007 07:57:16 AM |
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Photographer found comment helpful. |
| 06/03/2007 07:55:40 AM |
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Photographer found comment helpful. |
| 06/03/2007 07:51:38 AM |
Untitledby GnarfComment: I like this photography and this type of photography in general, so I hope this does well. From a techinical standpoint only a few problems - the most telling is the distortion on the building and the lack of vertical lines on the R, the window seems vertical to the pipe but not to R side of the picture. Also a bit contrasty on his face, plus the white box behind the man is a problem. From a compostional standpoint you really have 4 separate ideas, each pulling the viewer and each pulling the viewer out of the picture - the man facing and walking out, the window half finished, the large non-finished rectangle in the lower R, and the lamp in the upper L. In order for the picutre to really work they either need to tell a story or they need to be equally powerful to keep the viewer coming back to the others. I don't quite get your story here, and I'm not sure about the power of each idea, but I really like your effort.
8
J |
Photographer found comment helpful. |
| 06/03/2007 07:36:10 AM |
floatersby k4ffyComment: this is really just too contrasty for me to find a place for my eye to stay with. the cars on the lower part of the picture don't work either
4
J |
Photographer found comment helpful. |
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