The "V" in Victorian
by rasdub

Comment:
The skew in skew...

Get Bent
by dahkota

Comment:
Excellent photo!
Great colours, great composition and nice straight lines where they were meant to be.
Good luck!

rush hour
by tate

Comment:
I like the person.
Gives "perspective" (haha!) to the scale of the whole lot.
My fave so far.

Sugar Boy
by gsal

Comment:
This is a GOOD photo.
I like the grain.
Nice touch.

A difficult perspective for the next drive
by dreamy

Comment:
Pity about the blown highlights...

A Bug's Perspective
by cresus

Comment:
Nice imaginative use of a big toe, and definite fit to the brief.
Well done!

Go Beyond
by bobgaither

Comment:
You've given the viewer no clue as to what constitutes drama in this photo.
Are the trees, in semi-silhouette, dramatic?
Are the snow covered peaks dramatic?
Is the water dramatic?
etc..
A good picture (any media) will purposefully direct the viewer's attention.
We need to be guided.
It's your world.
You saw it.
Now tell us (show us) why it mattered.

You have, however got the "perspective" part of the deal right, in the sense that the water, the trees and the peaks (the main features) are all pictured relative to one another as determined by their relative distances from the viewer.
And that's more than I can say for most.
Good luck with your future endeavours!
I hope that at least some of this is helpful to you...

The evening the bike took a break
by illoosi0n

Comment:
This photo looks like it was scanned.
Especially those funny looking lines in the sky, to the top left of the photo.
I also don't get the dark stripe in the water.

Quitting Time
by tmhalling

Comment:
First off, let me tell you that I love your narrow dof.
Let me also warn you that there are those among us who won't.
Tough cookies for them.
Narrow dof is what allows us to paint with colours and shapes, because non-essentail things within the bounds of the shot become reduced to abstract colours and shapes when we throw them out of focus.

Your colours and lighting are all good for me.
And the placing of the bag lends nice visual interplay between itself, the row of lights, and the open door(?) in the far distance.
What detracts from this photo, however, is all those off centre lines and angles.
And unfortunately I can't get past looking at them.
Better luck next time.

Tough cookies, I tell you!

Observing a Future Without Hope
by Cutter

Comment:
That's rather a bleak statement to make...
Fortunately I have a more optimistic take on the future of your photograph.
It's good!
Good luck!