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Comments Made by emorgan49
Pages:   ... [145] [146] [147] [148] [149] [150] [151] ... [165]
Showing 1471 - 1480 of ~1647
Image Comment
Cork Screw
03/17/2003 11:30:40 AM
Cork Screw
by Jacko

Comment:
great shadow - 9, maybe 10
Photographer found comment helpful.
Basket of Fruit
03/17/2003 11:22:23 AM
Basket of Fruit
by daysez

Comment:
ahhhhhh
Photographer found comment helpful.
Tea Time
03/17/2003 11:20:56 AM
Tea Time
by tcherring

Comment:
Beautiful - why did you crop the handle?
Photographer found comment helpful.
Natalia
03/13/2003 07:45:20 AM
Natalia
by dimitrii

Comment:
perfect except for her hands, they are a bot ackward compares to the gace of the rest of the lines
Photographer found comment helpful.
Picturesque...
03/12/2003 11:10:45 PM
Picturesque...
by basia03

Comment:
If you canoe a bit upstream you come to my house, I just this minute recalibrated my monitor, this is the first picture I've looked at and it is WAY off - I think I better go check my settings
Photographer found comment helpful.
Untitled
03/04/2003 01:02:55 PM
Untitled
by lionelm

Comment:
Okay - now I'm back. I'll be writing this at work in bits and pieces- I have to save as I go along because I've lost too many reviews to computer glitches. I'll lwt you know when I am all done.

Hello from the Critique CLub- I like your work and I'm glad to have the chance to review another of your pictures- Funny that they are both green and both sad and both sort of bleak. This interminable winter must be getting to you.

I really like this photo. Yes it is bleak, yes this conveys despair, challenge well met. I love the solitary mood, just the guy and his shadow. What does the shadow represent? All his fears and disappointments that share this lonely room with him? I like a picture that tells a story.

Someone on DPC recently said that photography is all about light. Your dramatic use of light and shadow is the best part of this picture. Although the light appears to come from a window, the window itself doesn't exist in the mood of the room. The light shines directly on the figure but in a way seems to pass him by and focus on his shadow. The high contrast lighting on the mans arms and legs make him an abstact shape. His face and his..um..other parts are hidden in shadow. That makes the person anonymous and leaves his pain as the main subject of the photo. So what is the central focus here? Maybe his hand, the one with the wrist watch? That's why I think he might be ready to punch someone, if he can overcome the weight of his emotions.

I especially like the composition of this shot.
1. The subject is backed up into the upper right corner. The whole of the bottom half is filled with interesting patterns of light and dark. Did you rake the carpet to be just so? The dark foreground seems to be creeping up on our man, stopped for a moment by the brighter circle of carpet by his feet. Will that light be enough to stop him from getting engulfed by the darkness? I don't think so, the carpet waves are moving towards him.
2. The upper left corner is empty and only serves as a place for those two wonderful leading lines, the double shadow that points right to the subject. So the foreground creep up on him and the Leftground (not a real word, I made iit up) points at him accusingly, poor fellow, even his room of refuge is against him.
3. The man himself, all folded up is a nice study of crisscrossing lines. His shadow behind him repeats his shape in silhouette.

Another effective element is your textures. The fuzzy carpet leads to the furry man and is reflected in the graininess of the walls. Nice. The grainy look works really well here.

Why does our friend look so tense and uncomfortable (I mean aside from the fact that he's naked in front of a camera)? Maybe he is incredibly angry as well as sad. His arms are squeezing tight to his legs. His head is pushed down, not fallen down. Even his toes are tense. He seems to be spring loaded with tension. I think his attitude makes the scene more interesting. it combines with the shadows and pointing lines to imply that something (maybe bad) is going to happen. It is certainly not a static picture of rejection or hopelessness.

I changed my mind about the wrist watch. I like it. I decided that it adds to the mood rather than detracts from it. THis is a modern scene in a modern apartment. The carpet and woodwork date the image t the present and so the watch is in keeping. I makes a statement about our times..the pressure of time?...too much to do?....time running out for him??..all sorts of possibilities.

I have trouble making suggestions on pictures that are near perfect. One little thing, now that the challenge is over, I think you should go back and clone out some of the pnael lines on the door. One of them makes his shadow have a funny square corner. Also, if it looks like a door it suggests a hint of a way out. Do you want him to have that glimmer of hope or not? Although I like it in the monotone color you have chosen, I'd be curious to see it in black and white as some commenters suggested.


I always put a disclaimer: Please remember that this is just my opinion and I am definaely NOT an expert.

Message edited by author 2003-03-14 15:20:05.
Photographer found comment helpful.
Sunnyside Down
03/04/2003 10:18:07 AM
Sunnyside Down
by autool

Comment:
my brain wants the picture to be upright.. 8
Photographer found comment helpful.
In The Rough
03/04/2003 10:03:46 AM
In The Rough
by jimmythefish

Comment:
clever and a good photo too
Photographer found comment helpful.
Devil's  Food
03/03/2003 11:28:01 AM
Devil's Food
by Diana

Comment:
a bit busy - would have been more effective with one utensil, maybe the whisk
Photographer found comment helpful.
Shadow
03/03/2003 11:24:30 AM
Shadow
by Jacko

Comment:
frogs come out of eggs? 7
Photographer found comment helpful.
Pages:   ... [145] [146] [147] [148] [149] [150] [151] ... [165]
Showing 1471 - 1480 of ~1647


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