The morning after
by jjbeguin

Comment:
I really like all the lines... very busy image, but not in a bad way. I think I would like to see it in b/w also.

November Sunset
by Bear_Music

Comment:
bear? Great shot.the water is perfectly glassy and I love the great colors. Spectacular image! Works great with the wide angle.

Into The West
by Terramar

Comment:
What a great shot. Stunning use of lighting. The seagull and use of thirds absolutely makes this shot! 10

BabyGeeseS.jpg
by emorgan49

Comment:
What a great image. This is very happy and carefree and (pardon the pun) screams "Aflac". Well composed and very nice DOF.

Church
by Makka

Comment:
Great perspective and use of available lighting. I love the feel of this image, but agree with the other comments about cloning out the building on the right. The handrail also takes away a little from the image, but only minimally in my humble opinion. Great shot!

Gecko
by Rikki

Comment:
Great study of light, color and texture! The negative space is spot on in this one. The DOF feels a little shallow since parts of the gecko are a little soft while others are sharp. Very nice image... you could almost put some text in the negative space and use this for a greeting card.

Between cars
by lowonenergy

Comment:
I really like this one. It's not your typical light trails image. The negative space in the middle works very well.

Leifur Eiríksson, Reykjavík, Iceland
by magnus

Comment:
Great moody shot I think you've captured the feel of the statue very well. There seems to be a little noise that could be cleaned up with a little NI... probably a side effect of a higher ISO. Good work!

Spot-the-Cheetah.jpg
by Mr_Pants

Comment:
Very cool shot. I've always been a fan of big cats. This is an example of why cheetahs have spots. Great example of camoflage. My only nitpick is the missing feet. A tighter crop on the top might help alleviate the off balance feel of the image.

Randy
by CalliopeKel

Comment:
What a great shot! It's interesting how the post-processing clashes so much with the expression. I do not mean this in a bad way, just that when you see high contrast "grungy" images like this, they are usually attached to a somber/sad image. Your subject looks genuinely happy and carefree. Even though the technique and the subject do not go hand in hand normally, I think it's a wonderful blend for this particular portrait. Wonderful portrait, I wouldn't change a thing.