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Gargoyle
Gargoyle
JuliBoc


Photograph Information Photographer's Comments
Camera: Canon EOS-400D Rebel XTi
Lens: Canon EF 50mm f/1.4 USM
Date: Dec 6, 2010
Galleries: Architecture, Traditional Art
Date Uploaded: Dec 6, 2010

Viewed: 312
Comments: 3
Favorites: 0

Topaz Infocus was used as a base layer, which was duplicated 4 times for the following Topaz filters with varying layer opacity settings:

Adjust4 'Exposure Color Stretch' 100%
Adjust4 'Clarity' 25%
Detail2 'Creative Detail Accent' 40%
Detail2 'Lithograph' 20%.

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AuthorThread
12/06/2010 08:06:33 PM
Thanks for sharing your steps. I haven't tried using that many, although I have combined about three. The texture of the eroding stone is emphasized well.
  Photographer found comment helpful.
12/06/2010 05:48:22 PM
Thanks for the info Robert. Typically I use Topaz in a cumulative fashion: process a layer then dupe that layer to add another effect. Sometimes I do what you say and process a layer, and then mask the area that doesn't look good with that effect. I'm going to download those two tools you mentioned.
12/06/2010 02:15:49 PM
That's an interesting approach. I've used it to some degree, but never so extensively. I'm more likely to do a mask on the second layer and paint out what I don't like than I am to do more than 2 layers.

Something useful you might want to try: OnOne software has a free download of just a few of their tools, and included is a "Dynamic range painter" tool, that literally allows you to brush in more dynamic range in the areas you need it. They also have a great "golden hour" preset that's the best warming filter I've ever used.
  Photographer found comment helpful.


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