Is the car the focal point or the lead in? The reason I ask is that the car leads my eye immediately to the house, which is out of focus. I think either the plane of focus needs swapping so a blurred car leads the eye to the house, or if the car is the subject then that should take up a more prominent position in the composition. All IMO of course, I'm sure others will comment from a directly opposing viewpoint.
It's not just the car, or the cinema view that tells me this is yours. It's the story it tells, past, present...what is, was and could have been and how we still like where we are even though it may not be grand.
It's that slice of American life that still gives us hope, like an old memory that makes us smile.
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