I rarely do this, but I'm going to admit that I'd have taken a square crop from the top, and left the arrow to fend for itself on the cutting room floor. The human figure is just so memorably accented against the light wall, and bracketed by the vertical shadow of a tone that exactly matches his own, that I think the arrow actually drains some of the tension out of the shot.
When someone tells me how my own stuff should have been, I don't take it at all well. So I hope you're of a more amenable disposition than I.
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