A really terrific example of how the square crop can "contain" the chaos of a busy scene. I'm not sure what it is, but something about the lateral symmetry of the square dimensions makes something like this work in a way that I think a rectangular crop simply wouldn't. And with the dog's expression placed right in the vicinity of a ROT intersection, you've really got some interesting passive storytelling happening in this frame.
Apropos of nothing: Man is that a big bag of jerky! |
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