I like how you created anonymity by using strong contrast. I'm also enjoying your framing choices. With a square crop attention to edges is very important. Thanks
I am with Nam - my first thought was that whilst integral to the scene, the mopper is almost as inanimate as the tables and chairs. An interesting photo. I find myself inventing a backstory about this figure whose face I can't see, can't make an emotional bond with - he hates his job, his employer doesn't see him as a fellow human being. he follows orders but doesn't make any effort to work efficiently - why should he. He is nothing.
Looking at these images in chronological order, I'm becoming stuffed by all the terrific shots. And here's another. Wonderful composition and rhythm. I like the sepia treatment but am not enamored by the frame. It feels like a thin slice of a large cake, a monumental story. So much to look at and appreciate.
Really nice elements in this and the tones and processing are perfect. That he is in silhouette robs him of identity for me . . . and makes him anyone rather than someone.
very effective use of silhouette, I really like how he's just coming in from the right side of the frame, makes my eye sympathetically follow him right across the floor to the other side.
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