Author | Thread |
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03/29/2017 09:28:30 PM |
A visual poem.
Well, my mind went immediately to C.S.Lewis.
The landscapes are seen sometimes seen through teary eyes but they can be also found photographs of a distant era, battered by rain and wind and holding secrets. Everything is by now cast in stone.
#9 is almost a Turner.
Very elegant.
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Photographer found comment helpful. |
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03/23/2017 08:09:17 AM |
Clive, very nice overlays. I̢۪ve played around with this technique but never had much luck. Maybe the results match how we really see, never truly focussed on one thing.
Some photographs seem to be taken for books and others for walls. I agree with Mita that these are for gallery walls. Each requires a longer look to explore the layers and depth you presented.
As always, excellent work!
Message edited by author 2017-03-23 08:09:50. |
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Photographer found comment helpful. |
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03/20/2017 12:32:54 PM |
We learned to appreciate the elevating aesthetics of the author creations. It is further extended here as a sequence with its meditative impact. As I imagine an exhibition with these images in a large format, hanging off of a big gallery walls, I believe it will be hugely successful. Thinking of it, I would like to see it not in a large format, but in a huge format (3-4 meters wide), to enhance the impact further, and to force viewers to appreciate that they enter a new and different domain (I don't know if the white framing will work though, which is a shame, because I find them very elegant and calming in the context presented here). Stonescapes will be a great title for the exhibition, so you are all set... |
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Photographer found comment helpful. |
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