Author | Thread |
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03/24/2013 06:30:07 PM |
What a terrific title. Love seeing your world! |
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Photographer found comment helpful. |
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09/09/2012 10:17:46 PM |
the commenters are leading you in the right direction. |
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Photographer found comment helpful. |
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09/08/2012 08:02:00 PM |
is that Michelangelo sticking his hand in there? |
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Photographer found comment helpful. |
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09/08/2012 02:12:11 PM |
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Photographer found comment helpful. |
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09/08/2012 12:47:25 PM |
The maestro at work. Great image. |
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Photographer found comment helpful. |
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09/08/2012 10:43:32 AM |
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Photographer found comment helpful. |
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09/08/2012 08:53:58 AM |
Awarded for the August 2012 Free Study. |
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Photographer found comment helpful. |
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09/08/2012 02:26:52 AM |
Who needs a map when you have a lovely somebody to point you in the right direction. |
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Photographer found comment helpful. |
Comments Made During the Challenge |
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09/05/2012 08:31:08 PM |
love the arm from off screen |
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Photographer found comment helpful. |
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09/05/2012 11:14:20 AM |
I think this is a great shot but I think the arm is distracting. Just my opinion.7 |
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Photographer found comment helpful. |
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09/04/2012 08:27:23 PM |
That must be Hudson pointing. Great frame. |
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Photographer found comment helpful. |
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09/02/2012 06:30:10 AM |
I'm going through the entries, stopping at those images I feel have had the benefit of an unconventional eye and dwelling a little longer to try to see and appreciate what you saw. This is one of those images.
Positives: Wonderful cinematic aspect ratio and a great visual/title pun. The contrast profile is wonderful too - highlights and shadows dominating in different areas of the image as a consequence of the flare. The three people create quite a story and the pointing arm is highly communicative. As a viewer though, I feel this isn't a photograph that disappears revealing the moment; rather, this is a photograph that creates its status as a photograph in parallel with the moment. It is limited and bounded by the choices you have made. I should explain myself further - this is like a documentary image in a book, we are aware that the photographer was there but we are conscious that we are not (thus I feel like a 'meta-viewer'). The choice to keep the viewer at a distance and to not involve us in the image seems deliberate to me (I wonder whether it was to you).
Critical stuff: That central area of brightness on the opposite shore, whether natural or not, draws the eye a little too much. A swift bit of local darkening there would help me appreciate your image even more.
Overall: A lovely crafted image - one that made me think of ubique actually; not for how it looks but for his passion for photographs as artistic products rather than photography as an artistic process. |
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Photographer found comment helpful. |
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