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06/09/2004 05:53:44 PM · #1 |
Another post started my brain. I realized that I was properly trained how to critique by professors and professional photographers. I have read articles, studied photographs and analyzed them. I have read criqitiques of others... I have done this for 12 years! However, some people don't know where to look to learn. So, I thought those of us who were trained and are pretty good at giving constructive criticism should take a few moments to give some pointers to those who really want to learn... Post Here! |
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06/09/2004 05:55:15 PM · #2 |
As a start ... DPC Tutorial |
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06/09/2004 05:57:52 PM · #3 |
And? From your experience, can you point me at a good resource for the critical study of photography? You know, 'a guide to the assessment of photographs' or something?
I have absolutely no training in the analysis of photographs, beyond what my brain tells me and my own experience and knowledge bring to that. It would certainly help me to find out how it's done 'properly'.
Ed
Message edited by author 2004-06-09 17:58:16.
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06/09/2004 06:04:34 PM · #4 |
Critiquing can be very subjective, but in general... pay close attention to detail, and you'll get it! :) It can be really fun because you will start to critique your own work and become better every day!
I'll start with Lighting
Look for time of day, shadows, brightness and tone. Are there harsh shadows? Do they positively or negatively affect your overall feel of this photo? Look at the sky or light source... was it the best light source to use that day for that subject? Perhaps suggest a light source or lighting device that would positively enhance the photo (using your experience).
Always note that sometimes, you have to shoot outside and you cannot control the weather, so take that into consideration and make suggestions that will not discourage or anger the photographer who isn't Mother Nature. Suggest bringing fill in lighting or changing the ISO.
Brightness may be caused by overexposure (shutter speed), position or film speed. Is the subject backlit? Do they have almost no features (white) but the backround looks nice? Is the background too dark? What would you do to improve on this situation? Put yourself in their shoes? Maybe you would hold the shutter open longer but not point the flash at them directly. Maybe you would use a reflector instead of direct light. Maybe you would increase the film speed or opt for a faster shutter speed. Think about it as if it were your photo!
Position is very important when dealing with natural light. Shadows and brightness are heavily affected by the position of the subject to the sun (light source) or your own light source for that matter. Usually, if you have a sunset but do NOT want a silhouette, you will want a fill in flash, not automatically set (unless you are using a light meter). You'll want a soft flash too. You don't want the flash to adjust itself to the darkness that is around you, but to enhance the subject in front of you. If your lighting is coming from above, you will have shadows unless it's a very cloudy day. You can stifle this with diffuser and reflector sheilds. You can even make your own if you don't want to buy one... so suggest something as such. You may also just want to choose a faster shutter speed and use a light fill in flash to cancel out the shadows a bit (from their hair or nose, if on a face). Eyes always have dark circles unless you use fill in flash (when the sun is overhead).
When looking at a photo, think for a moment (or even a minute or two) about the lighting. How would you improve this very same photo? Offer some positive suggestions and recommend some changes. Good luck! |
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06/09/2004 06:09:10 PM · #5 |
So ... why don't you write the DPC Tutorial for this? There's some guidelines somewhere ... |
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06/09/2004 06:12:20 PM · #6 |
For something that people may consider an art form, it's surprising how overly technical things can be made.. I find the idea that one can be 'trained' to appreciate a photo/painting/concerto quite strange. |
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06/09/2004 06:19:16 PM · #7 |
One of the best ways to learn is to read the critiques of others. Try to relate or understand them. If you don't, then ask questions here... We will all be glad to explain to you what the critiquer might have meant. remember, it is subjective!
//www.the28thfloor.com/imagemaker_forum/view_critique_list.php is a place where you can view some photos and see professional critiques. Besides the tutorials, which are great, you may want to do a search on google.com or something on "how to critique" and read a few pointers there too! If you give yourself some time (even just 30 min) you will be amazed at what you can learn! And really, what is critiquing but really just a learning experience of "photography" and sharing it with others?
Here's an interesting post i found:
//www.zuga.net/forums/showthread.php?s=&postid=84311
Just remember, what advice would you want to get? What can you offer? Always give encouragement and show respect :) |
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06/09/2004 06:22:30 PM · #8 |
Originally posted by PaulMdx: For something that people may consider an art form, it's surprising how overly technical things can be made.. I find the idea that one can be 'trained' to appreciate a photo/painting/concerto quite strange. |
No no, it's not about trained appreciation. It's about critiquing. It's different than voting. It can surely help you vote, but really.. it's about helping others become better photographers. It's about offering photographic advice and thinking to yourself about what you like and don't like, SPECIFICALLY, about a photo. Anyone can get a general feel of a photo and mark it 1 through 10. But, the photographers who check the box to have their photos critiqued are counting on YOU, the voter, to offer then SPECIFICS about what you like and what you would change about their photo. And many of us do not write anything... not because we have nothing to say, but because we do not know how to say it. So, this forum post is supposed to give people ideas on how to help others! And, in turn, help themselves become better photographers!! :)
Please don't take this the wrong way! |
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06/09/2004 06:23:16 PM · #9 |
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06/09/2004 06:24:34 PM · #10 |
Great link Zal! It's short, easy to read and makes sense! |
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06/09/2004 06:27:07 PM · #11 |
Originally posted by mirdonamy: It's about offering photographic advice and thinking to yourself about what you like and don't like, SPECIFICALLY, about a photo. |
Sorry, that sounds like appreciation to me. |
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06/09/2004 06:45:56 PM · #12 |
Originally posted by PaulMdx: Originally posted by mirdonamy: It's about offering photographic advice and thinking to yourself about what you like and don't like, SPECIFICALLY, about a photo. |
Sorry, that sounds like appreciation to me. |
I can't say that it's not appreciation sometimes, but it doesn't have to be... that's the point. Being "trained to appreciate" something sounded to me like you perhaps being trained to like it. I think I see your point now though, that appreciate may be more related to 'understand and see the value of' more than 'like' the photo elements.
Dear PaulMdx, critiquing is NOT for everyone. Yes, I LOVE getting my photos critiqued by people who are trained and have trained themselves, and I LOVE helping others with the knowledge that I have to share about a subject we both love: photography! But this post is for those who WANT TO LEARN how to critique. If you do not have desire to explore the technical aspects, that's is perfectly okay :) Some people I know, and have talked to in other posts, do indeed want to become better 'critiquers' and help others improve their work, technically. So, this is for them...
:) |
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06/09/2004 06:50:06 PM · #13 |
Originally posted by mirdonamy: Critiquing can be very subjective, but in general... pay close attention to detail, and you'll get it! :) It can be really fun because you will start to critique your own work and become better every day! |
You are quite right Arielle, it can be fun, however, it can also be very difficult to do well. I think that’s why so few comments are actual critiques. Most are nothing more than a pat on the back for a job well done. I joined the Critique Club and wrote a few critiques, and I found it to be very difficult. I have a hard time telling someone what I don’t like about his or her photo—probably because I was always taught, “If you can’t say something nice, don’t say anything at all.” Besides, who gives a damn what I think anyway, right? After all, I’m not an expert. But, I eventually realized that you don’t have to be an expert to have an opinion. And that is what a critique is, just one person’s opinion. Of course, the more informed a person is on a subject, the more relevance and insight that person’s opinion will have. Perhaps equally important though is being able to give someone your opinion in such a way that they can accept it without taking offense.
I second GeneralE’s suggestion that you write a tutorial on the subject. You seem very conversant with the subject and I think you would probably do a wonderful job. The existing tutorial, “9 Guidelines for Giving and Receiving Feedback” by Patella, is fine as far as it goes, but another, more in-depth article, would make a nice addition.
--Mick
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06/09/2004 07:07:09 PM · #14 |
Perhaps I'll work on a tutorial. I am, myself, no way an expert in photography, but I know how to give a critique. I have been fully and professionally trained over and over again on how to tell people your opinions without offending them. It's never easy to form a specific opinion in the first place, but when you do, it's sooooo valuable to the photographer who needs your assistance!
I know that it's nice to see "Nice Job" comments, but what i really want to see are explanations of why they like the photo or what they would change to make it better (more appealing to them, since it is subjective). The more of those you get, the more you can get a feel for what people want to see. Anyone can take a photo, call it art and love it. What I strive to do is to make my work appealing to the masses (because I eventually want to sell it). The hard part is taking my tastes and allowing the "world" to infiltrate me with theirs and somehow combine them... but that's a whole other subject :)
For readers of this post, the most important thing to remember is to HELP your fellow photographers! Psychologically, when someone says negative words like: don't like or isn't good, etc, people stop reading and feel hurt. They see more words but don't take them in and digest them. What you should strive to do is to offer suggestions, subjectively: "I might try to...", "I'd love to see a little more or less...", "It'd be great if you used..." and so on. Never use "I don't like the..." but use something like "I prefer ____ to the ____ you used in this photo, personally" It takes the weight off them and puts it on you. And since they value your opinion, they'll want to try to improve their work to impress you (YOU being the general public).
Good Luck!
PS. Always feel free to end off with something positive, to re-engage someone in the art (Photography) and not lose them to disappointment. Saying "Good Luck" wishes them luck in the challenge. "Keep up the good work" or "Keep at it" are also nice, without saying too much. If you really don't like it, you can just wish them luck or tell them "you are in the right place, DPC, where you'll learn so much. I look forward to seeing your work here after a few more months!" or something like that...
Message edited by author 2004-06-09 19:09:58. |
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