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DPChallenge Forums >> The Critique Club >> A while ago...
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01/14/2006 09:37:03 AM · #1
Somebody posted some very nice guidelines to writing an indepth critique. I have been hunting around for a while, and can't seem to run across it. Does anyone have a link to that thread?
01/14/2006 09:42:24 AM · #2
there are lots of threads on how to do an indepth critique...
what particularly interested you in that thread? to make it easier to find?

when i did a search for indepth critique i got 24 pages of threads..

Message edited by author 2006-01-14 09:43:54.
01/14/2006 10:10:16 AM · #3
There is one on this thread by Kari? Not sure it is the one you are looking for.

Here
01/14/2006 11:03:13 AM · #4
Was it this one?

The purpose of critiquing photographs should be to help photographers to improve their work through a better understanding and proficiency in the technical aspects of photography and the theory of visual literacy, and this while helping the photographer maintain his or her individuality and way of seeing.
The critique should attempt to open the photographer's own thought process; it should not be an attempt to change the photographer into a clone of the assessor - the very curse to creativity.
It is essential to determine the photographer's purpose for making the image: Was it to be a clinical study, story illustration, social documentary, fine art piece or perhaps an entry for a competition? Only then can the critique be properly focused to assist the photographer along an effective learning path.

1. TECHNICAL QUALITY
Editors, judges and evaluators all agree: a successful photographic image must have good technical quality to start with.
· FOCUS: Is the image sharp? If not, is it intentionally soft and successful?
· CLEANLINESS: Is it free of scratches, dust spots, stains, lens flare, etc?
· EXPOSURE: Is it too light, too dark or just right?
· LIGHTING: Is the lighting too contrasty, too flat or just right?
· COLOURS: Does it have neutral colors or a strange colorcast?

2. COMPOSITION
Affected by the camera viewpoint and focal length of the lens. It can raise an image from a technical success to an artistic success!
· BALANCE: Is the image aligned correctly or is it crooked?
· LOGIC: Is the arrangement of the visual elements effective?
· PURPOSE: Is there a strong center of interest, pattern or design?
· CLARITY: Is it simple, yet complete and without distracting elements?

3. EMOTIONAL APPEAL
The vital element for a truly great image, making it unique and memorable.
· DYNAMIC: Does it grab and keep your attention? Does it have the "wow" factor?
· PROVOCATIVE: Does it excite your imagination, or create a strong emotion in you?
· CREATIVE: Does it show a familiar subject in a new, unusual and yet effective way?
· UNUSUAL: Does it show a very unusual subject in an effective way?

-SDW
01/14/2006 06:14:45 PM · #5
Thanks Scott, that's the one I was thinking of. Great framework, by the way.
01/14/2006 06:22:27 PM · #6
Not critique, but for scoring, scroll down to Zeuszen's message in this thread.
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