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10/06/2002 08:44:55 PM · #1 |
Ther is an old farm which is being knocked down to make way for a new subdivision of houses. I took some photos of it yesterday, and I would like some constructive critique. They are posted at
//www.pbase.com/jimmsp/critique
Two questions come to my mind. 1. Which perspective do you prefer? 2. Do you prefer color or b/w?
Obviously, any other constrictive comments are highly welcomed. Thanks in advance.
//www.pbase.com/jimmsp/critique;
* This message has been edited by the author on 10/6/2002 8:43:48 PM.
* This message has been edited by the author on 10/6/2002 8:44:59 PM. |
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10/06/2002 08:49:29 PM · #2 |
I prefer "Moving On 2 B & W". The composition from that position seems better and I really like the black and white over the color. The silo just seems too "festive" for such a sad occasion in color. If any, I would accept the final shot for color but I think the B & W fits better. In #2 everything seems to lead you to the barn which is where you want to go. Good shots. |
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10/06/2002 09:28:13 PM · #3 |
I feel the same, #2 B&W is the strongest. here's almost a sense of motion, like the structures are trying to walk/crawl away... |
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10/06/2002 09:52:43 PM · #4 |
Same for me .. I prefer the B&W to the colors, I prefer the B&W2 perspective and I do not like that much the B&W with the american flag thing. Lionel |
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10/06/2002 10:34:20 PM · #5 |
I'll have to join the B&W #2 crowd. #2 is a tighter pic. In the color version the Silo steals the show from the wrecked building. In the B&W version the eye more naturally focuses on the entire scene. In the color silo and B&W frame, the silo really overpowers the rest of the scene. Leaves me wondering what it would look like in Sepia.
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10/06/2002 11:32:50 PM · #6 |
Thanks for the input folks. While I've read the "theory" of using B&W, I still don't have my eye tuned to it. I probably don't appreciate it as well as I could - though I love the greats, like Ansel Adams. Guess I should continue to convert appropriate photos, and just look at them for a while. I may try the sepia later. |
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10/06/2002 11:35:40 PM · #7 |
Originally posted by jimmsp: Thanks for the input folks. While I've read the "theory" of using B&W, I still don't have my eye tuned to it. I probably don't appreciate it as well as I could - though I love the greats, like Ansel Adams. Guess I should continue to convert appropriate photos, and just look at them for a while. I may try the sepia later.
I'm curious -- have you seen any of Adams' actual prints, or mostly his printed pieces (calendars, cars, etc.)? |
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10/06/2002 11:50:50 PM · #8 |
Originally posted by GeneralE: Originally posted by jimmsp: [i]Thanks for the input folks. While I've read the "theory" of using B&W, I still don't have my eye tuned to it. I probably don't appreciate it as well as I could - though I love the greats, like Ansel Adams. Guess I should continue to convert appropriate photos, and just look at them for a while. I may try the sepia later.
I'm curious -- have you seen any of Adams' actual prints, or mostly his printed pieces (calendars, cars, etc.)?[/i]
I have an enlarged copy of "Oak Tree, Snowstorm" hanging in my home office. I've also seen a number of books which reproduce most of his B&W prints; though I have not seen the latest publication yet. |
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10/07/2002 12:14:46 AM · #9 |
I asked because his books and similar pieces are printed by a very customized offset process using four different gray inks...fascinating but not photographic! |
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10/07/2002 09:24:42 AM · #10 |
Originally posted by ambaker: I'll have to join the B&W #2 crowd. #2 is a tighter pic. ...... Leaves me wondering what it would look like in Sepia.
I posted the Sepia versions at photo |
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10/07/2002 11:52:15 AM · #11 |
I like the Sepia version of #2 best of all. It takes just a bit of the edge off of the B & W version. Good work. |
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10/07/2002 04:56:30 PM · #12 |
After a number of helpful comments, I've posted additional versions for critique here |
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