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01/23/2005 05:59:01 PM · #1 |
A couple of photos I took a few years ago in San Diego.
Just played with converting them yesterday.
Thanks in advance for your thoughts.
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01/23/2005 06:02:42 PM · #2 |
I like the pier shot a lot, especially the tones that you used. Sets a very nice mood. Nice composition too. |
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01/23/2005 06:06:42 PM · #3 |
Originally posted by rscorp: I like the pier shot a lot, especially the tones that you used. Sets a very nice mood. Nice composition too. |
Thanks!
I was a little concerned the right portion of the shot was a bit flat in appearance and the composition was not quite right.
Message edited by author 2005-01-23 18:07:21.
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01/23/2005 11:56:43 PM · #4 |
Originally posted by autumncat:
I was a little concerned the right portion of the shot was a bit flat in appearance and the composition was not quite right. |
That was my first reaction, and I was going to suggest curves, but it loks as if darkening the darks would severely affect the pier and water beneath it in a negative way. If your familiar with layer masking, I'd mask the left side and apply curves to the right. I think I'd also tweak the first one a bit with curves.
I like the composition of both quite a bit, and you've got a great eye for tonality if these two images are the norm for you.
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01/24/2005 12:39:11 AM · #5 |
Originally posted by just-married: Originally posted by autumncat:
I was a little concerned the right portion of the shot was a bit flat in appearance and the composition was not quite right. |
That was my first reaction, and I was going to suggest curves, but it loks as if darkening the darks would severely affect the pier and water beneath it in a negative way. If your familiar with layer masking, I'd mask the left side and apply curves to the right. I think I'd also tweak the first one a bit with curves.
I like the composition of both quite a bit, and you've got a great eye for tonality if these two images are the norm for you. |
Thanks very much for your comments and suggestions. I REALLY need to learn how to do the layer and masking thing. I just got a couple of books for Elements 2 - but haven't had a chance to read up on those tecniques that you suggested.
I lightened the pier shot by using fill flash in Elements. It seemed to really improve the texture of the shack - but it probably also flattened the right portion.
Do you know what the equivalent of curves would be in software that doesn't do curves?
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01/24/2005 01:17:01 AM · #6 |
Levels is a cruder way of gaining the same effect you gain with curves. The following is far from optimal (I didn't want to take the time to do precise selection on this lo-res image, and I had to grayscale it to work with it, then duotoned it back differently than your original) but it shows some of what is possible.
The sky was selected, a new layer was made, the selection was inverted and the foreground was deleted. On that layer I went to layer blending options, chose gradient ovrlay, adjusted the gradient to favor the upper right, and faded it until it looked reasonable. The selection has been saved.
Then I made a new layer from background, loaded the selection and deleted the sky, and applies a gradient to that as well.
I flattened thjis image, then selected everything but the pier, more or less (I didn't take the time to select the bright reflections under the pier, and it shows), inverted the selection, and did levels on the pier. Then I reverted the selection and did levels on everything else.
Finally I duotoned it, then converted back to RGB and saved as a jpeg.
It's realtively crude, but you can see what's possible. It would work much better going from the original before you had toned it. I definitely may have gone in a direction you don't want to go in, this was just an exercise to show how an image can be evened with layers and gradients and levels.
Robt.
Message edited by author 2005-01-24 01:58:48.
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01/28/2005 04:22:01 PM · #7 |
Bear_music - thanks so much for taking time to work on that photo.
I'm sorry to have been delayed in commenting.
I like how the sky has more interest now.
Honestly, I've read through the steps you noted - and I'm lost.
When you "select" the sky - how do you specifically do that? Do you have to use a manual selection tool to draw around the building?
And you also mentioned inverting the image - inverting, as in a negative of the image?
If you don't have time to answer these questions or go into the explanation further - no problem. These are things I am trying to learn and teach myself - just haven't had time to study it as much as I need to.
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01/28/2005 04:28:54 PM · #8 |
Autumncat - great pier shot. I am in the same boat as you - I haven't had the time to learn any advanced editing either. You asked what the equivalent might be for Curves in PS Elements - well, the way I have been told, it is a much more precise and superior way of adjusting Levels. I use the Curves in MS Digital Image Pro 10 now. I also know there is the program/book "Hidden Elements" that enables you to do many of these things in Elements. If you do a search of the forums, you will find many threads on this, also. Good luck!!!!
Edit: And I love your cat photos!!
Message edited by author 2005-01-28 16:29:36.
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01/28/2005 10:30:11 PM · #9 |
Originally posted by Kylie: Autumncat - great pier shot. I am in the same boat as you - I haven't had the time to learn any advanced editing either. You asked what the equivalent might be for Curves in PS Elements - well, the way I have been told, it is a much more precise and superior way of adjusting Levels. I use the Curves in MS Digital Image Pro 10 now. I also know there is the program/book "Hidden Elements" that enables you to do many of these things in Elements. If you do a search of the forums, you will find many threads on this, also. Good luck!!!!
Edit: And I love your cat photos!! |
Kylie,
Thanks so much for the kind words - for the Pier and my cat shots. I will definitely search more about the Hidden Elements you mention.
I have looked at the levels tool - but am unsure how to best utilize it. Usually I make all adjustments to the main photo and not in layers. I usually adjust the brightness, contrast and saturation. I have also started to use USM and sometimes Neat Image (found this really helps when there is noise).
I really appreciate everyone who shares their knowledge.
I wonder if there are classes available to teach this kind of editing?
Camera is set aside for a bit - free time this weekend is being used to try to improve my U2 tickets.
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01/28/2005 10:46:47 PM · #10 |
Autumncat - check out lynda.com; for $25 you can sign up for a month's worth of video tutorials. You can watch as many as you man make time for in that month. There is a 13 hour class called Photoshop for Digital Photography. Good stuff for a beginner to PS, and even a few tips to be had for people who are already a fair hand at it. He goes into all of the questions you've asked: how to make a selection, how to inverse the selection, how and why to use adjustment layers, etc. Really good stuff, and for $25 can't be beat!
Good Luck!
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01/29/2005 10:25:10 AM · #11 |
Janice,
Leaving aside for now the issue of making selections via the "masking" process, which is difficult to understand at first, here's some discussion of that topic;
1. Open any image you like.
2. Go to layers/open duplicate layer in the menu. A new layer called "background layer copy" will appear in the layers pallette.
3. Use the rectangular marquee tool (upper left in the tools palette) to draw a rectangle in the center of your image.
4. Go to select/save selection and save this selection as "rectangle"
5. Go to layers/new adjustment layer and choose "levels".
6. Make some fairly extreme levels adjustments in this field and click to finish it.
7. Now you have the following layers: BG, BG Copy, Levels 1.
8. Click on BG copy to make it the active layer, then go to select/load selection and load "rectangle" again.
9. Go to layers/new adjustment layer and choose hue/saturation.
10. Play with the different saturation conmtrols for the different colors; red, yellow, blue, cyan, magenta, green, master. When finished playing apply these adjustments.
11. You now have a fourth layer. Note that most of the image is as it originally was, but the rectangular area is radically different, because this area was "selected" and you applied your "adjustments to that area only.
12. Now make BG Copy the active layer again and reload the rectangle selection once more.
13. Now go to selection/invert selection and you will now have selected everything BUT that rectangle. Go to layers/new adjustment layer and make a new levels or hue/saturation layer and mess with it.
Get the idea? All these new layers, each one limited to a specific adjustment in a specific area. In the layers palette you can click on the eyeball aloingside any of these layers and turn it on or off, watching the effect of the changes. If you don't want any of these layers in the end, you can drag it into the trashbin in the layers pallette, or right click it and select "delete layer" to trash it.
Every adjustment you make, even if it is to the entire image, should be on a new layer. This keeps the original image virgin, and allows you to backtrack and undo your work easily.
Now, for selection: you can use the magic wand tool to start selecting similar areas, and you can use the lasso tools and the marquee tools (rectangular and oval) to add to these selections, or subract from them. To subract from a selection, hold down the "alt" key while drawing with the tool. Usually I first use the magic wand to select coarsely, then magnify the image and make adjustments to the selection as needed. When the selection is finished, I save it before doing anything else, so I can always load it back up.
That's your basics. Practice with some image that shows fair contrast between subject and ground, and you'lls tart to get the hang of it...
Robt.
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