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09/20/2014 05:03:00 PM · #26 |
 From what I've found the one that you have is only remote/wireless??? [/quote]
Comes with a curly extension cord aswell.
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09/20/2014 05:25:02 PM · #27 |
Just focus on the lighting/photography, since your husband is taking care of the website angle.
As Cory said, even the brightest flash is no match for even a moderate level studio head.
Keep in mind that cable releases are generally REALLY sort (2-3 feet). I don't know why that is the case, maybe there are 3rd party cables that are much longer. Or there is a way to rig them with an extension chord. If you're worried about camera shake and don't have a release long enough, a timed release is the way to go.
And as others have pointed out, IR triggers will not work in bright light. Which is why I use RF triggers (Pocket Wizards, in my case).
And finally, if you're using a tripod, and you find that it's just way in the corners that is too dark, you can take multiple exposures and HDR just those parts.
Unless you are shooting at night, I truly do not think you will have lighting issues. all of these images were taken with natural light. But for the best exterior light, you will need to know the orientation of the building, what direction the sun will be traveling, what sort of shadows will be cast on the facade, etc. I use TPE to plan my shoots. |
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09/20/2014 05:33:07 PM · #28 |
Originally posted by tanguera:
Keep in mind that cable releases are generally REALLY sort (2-3 feet). I don't know why that is the case, maybe there are 3rd party cables that are much longer. Or there is a way to rig them with an extension chord. If you're worried about camera shake and don't have a release long enough, a timed release is the way to go. |
The longer a wired cable release is, the less reliable it is. It's using camera power, and there's not much of that. |
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09/20/2014 06:29:07 PM · #29 |
Originally posted by tanguera:
Just focus on the lighting/photography, since your husband is taking care of the website angle.
As Cory said, even the brightest flash is no match for even a moderate level studio head.
Keep in mind that cable releases are generally REALLY sort (2-3 feet). I don't know why that is the case, maybe there are 3rd party cables that are much longer. Or there is a way to rig them with an extension chord. If you're worried about camera shake and don't have a release long enough, a timed release is the way to go.
And as others have pointed out, IR triggers will not work in bright light. Which is why I use RF triggers (Pocket Wizards, in my case).
And finally, if you're using a tripod, and you find that it's just way in the corners that is too dark, you can take multiple exposures and HDR just those parts.
Unless you are shooting at night, I truly do not think you will have lighting issues. all of these images were taken with natural light. But for the best exterior light, you will need to know the orientation of the building, what direction the sun will be traveling, what sort of shadows will be cast on the facade, etc. I use TPE to plan my shoots. |
The outdoor shot's I'm not so worried about, that will be as you say time of day and direction of the sun all which will be mapped out before hand.
The interior ones that "I think" they will want are inside a business at Universal Studios City Walk and inside the Harry Potter section of Universal Studios. Both would have to be shot either before they open or after, which means lighting will be low (artificial lighting - probably florescent...yea) plus there is a wall in one of the shops blocking what little natural light there will be...so for those I'll need lighting. The Leeky Cauldron is a dark interior as well. Again they have not given me a list of what they want shot. I'll talk to them on Monday to find out more specifics.
Bear - I'd like at least a 3' cord, most of what I was looking at earlier had under 3' or had a remote receiver that goes on the hot shoe...not what I was looking for.
Thank you again for all your input it's very helpful....making me get this done...lol |
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09/20/2014 08:32:15 PM · #30 |
| Universal City Walk?? So you're going to be in L.A.??? Were you planning on saying hello...????? |
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09/20/2014 08:42:33 PM · #31 |
Originally posted by tanguera:
Universal City Walk?? So you're going to be in L.A.??? Were you planning on saying hello...????? |
They have an even bigger one in Orlando, hon. |
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09/20/2014 08:49:15 PM · #32 |
Originally posted by tanguera:
Universal City Walk?? So you're going to be in L.A.??? Were you planning on saying hello...????? |
I live in Orlando...but when I DO get to your neck of the woods I'll definitely plan on say'n "hello"!!! Wouldn't miss it, you can bet on that!!!
ETA: I'm not even sure that's what they want me to photograph. They recently got an prestigious award and this is what is motivating them to "update" their website. They have been in business for about 25 years +/-. And have done several projects all over the area...but Universal was the most recent job that that completed and did a brilliant job of it as well. Bear in mind what I'm talking about at Universal is "Scenic" work...NOT building...buildings...
Message edited by author 2014-09-20 20:52:21. |
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09/20/2014 09:23:25 PM · #33 |
Whew! I was officially going to have a snit :)
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09/20/2014 11:39:13 PM · #34 |
First, congrats on your new adventure/ career starter.
As Mike said, the "light on a stick" thing and layer shots in post to get the lighting you want is a good way to go. My nephew Doug did high end architectural photography, including cover shots for Architectural Digest that way until he started a different business. It's something you should practice on at home first, and it will not be good if you are going to have people moving around in the images.
My stepson Brad shoots promo stuff for Dollywood as a sideline at $125/hr, but he is an exec there and already is on a very tidy salary. He also worked at Disney Orlando, and Universal before the move to Tn.
It's time to get that extra wide angle lens you were talking about.
Have fun, practice some before the shoot, and don't sweat the small stuff. You know your camera pretty well, and will do a great job for them. |
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09/22/2014 10:08:38 AM · #35 |
one more thing to note about lighting, if you supplement with a flash, make sure you gel the speed light to match the color temp of the lighting.
also if the lighting is predominately fluorescent, make sure your shutter speeds are a multiplier of the frequency of the light cycle for consistency in your shots otherwise you will get uneven lighting between your frames |
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09/22/2014 10:12:38 AM · #36 |
Originally posted by Mike:
one more thing to note about lighting, if you supplement with a flash, make sure you gel the speed light to match the color temp of the lighting.
also if the lighting is predominately fluorescent, make sure your shutter speeds are a multiplier of the frequency of the light cycle for consistency in your shots otherwise you will get uneven lighting between your frames |
Can you explain further...give me an example? I think I understand but I'm not sure...
And it's really looking good that I'll get the shoot!!! Trying to finally figure out the lighting....I'm closer!!! 😜😜😜 |
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09/22/2014 10:30:27 AM · #37 |
Originally posted by Mike:
on technique i've seen is to set the camera on a tripod and light parts of the frame as individual shots and then combine them in post. Especially is you have to use a long shutter to get the ambient and then a quick shutter to light say a person in the frame, to minimize movements. Its frown upon in DPC land but in practice combining images and expert editing are widely used with stellar results. |
+1
Good luck!
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09/22/2014 01:41:33 PM · #38 |
Originally posted by Ja-9:
Originally posted by Mike:
one more thing to note about lighting, if you supplement with a flash, make sure you gel the speed light to match the color temp of the lighting.
also if the lighting is predominately fluorescent, make sure your shutter speeds are a multiplier of the frequency of the light cycle for consistency in your shots otherwise you will get uneven lighting between your frames |
Can you explain further...give me an example? I think I understand but I'm not sure...
And it's really looking good that I'll get the shoot!!! Trying to finally figure out the lighting....I'm closer!!! 😜😜😜 |
this explains better than i can...
//johnbdigital.com/lenses/fluorescent/fluorescent_lighting.php |
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09/22/2014 02:33:54 PM · #39 |
Thank you very much mile...I'll read when I get hm.
I got a SB-900 flash on eBay - NEW!!!
Now on to stands/extension poles???
So many new things...I'll starting on taking pictures this weekend....hmmm means I need to dust n de-clutter...(it's as good as any excuse!!!)
Will I need a speedlight trigger? |
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09/22/2014 02:51:03 PM · #40 |
| if you want it off your camera... yes. |
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09/22/2014 03:07:02 PM · #41 |
Indeed -- a very helpful link; thanks for posting it! |
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09/22/2014 05:09:03 PM · #42 |
Originally posted by Mike:
Originally posted by Ja-9:
Originally posted by Mike:
one more thing to note about lighting, if you supplement with a flash, make sure you gel the speed light to match the color temp of the lighting.
also if the lighting is predominately fluorescent, make sure your shutter speeds are a multiplier of the frequency of the light cycle for consistency in your shots otherwise you will get uneven lighting between your frames |
Can you explain further...give me an example? I think I understand but I'm not sure...
And it's really looking good that I'll get the shoot!!! Trying to finally figure out the lighting....I'm closer!!! 😜😜😜 |
this explains better than i can...
//johnbdigital.com/lenses/fluorescent/fluorescent_lighting.php |
you are brilliant and should be able to walk on water!!!! Thank you...wow!!! |
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09/30/2014 03:16:24 PM · #43 |
Oh, happy dance they are going to hire me!!! I have a month to complete...82 images for their website.
Soooo I was wondering if any of you have a contract that you could share with me? I'm signing it Thursday and they are paying me 50% then. I'd be ever soooo grateful if you did. My email is Janine1954@gmail.com or dropbox. You guys are soooo awesome!!! I wouldn't have the confidence that I could do this without all that I've learned here. PLiz all the excellent advice regarding this!!!
Footnote: I already have the Photography License agreement.
THANK YOU!!!!' |
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09/30/2014 03:20:40 PM · #44 |
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09/30/2014 04:02:29 PM · #45 |
| Fantastic, Janine!!! Congrats. |
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09/30/2014 08:34:49 PM · #46 |
| Does anyone have a contract that I can use. The ones that I'm finding on the net are more for "wedding photographers". I need a "more generic" version. Any suggestions? |
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09/30/2014 09:06:33 PM · #47 |
| My most common suggestion for legal stuff like that involves a referral to Nolo Press -- they publish all kinds of legal self-help books and other stuff including forms, including many things on IP/copyright law, taxes, business-running, etc. Libraries sometimes have their books, which often come with a CD of fill-in or sample forms. |
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09/30/2014 09:33:13 PM · #48 |
Originally posted by GeneralE:
My most common suggestion for legal stuff like that involves a referral to Nolo Press -- they publish all kinds of legal self-help books and other stuff including forms, including many things on IP/copyright law, taxes, business-running, etc. Libraries sometimes have their books, which often come with a CD of fill-in or sample forms. |
Thank you Paul...everything I'm finding is way to wordy for me...and written for wedding photographers... |
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10/01/2014 07:29:49 PM · #49 |
Has anyone ever purchased anything from The EStore Online.com?
I received my SB light from an ebay seller. Her listing said "New and Never Used". When I received it the batteries had corroded inside it. So I'm sending it back and need to find another SB-900 quick...that store has a decent "New" price. I haven't ever heard of them.
??? |
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10/01/2014 10:38:52 PM · #50 |
Originally posted by Ja-9:
Does anyone have a contract that I can use. The ones that I'm finding on the net are more for "wedding photographers". I need a "more generic" version. Any suggestions? |
i wish i could help you, but i'm not a lawyer...
if you are going to work professionally, you owe it to yourself to get professional advice that is specific to where you are doing work (because a contract drafted in virginia for use in virginia might require different language to be enforceable in a different state).
if you join the professional photographers of america, you will have access to a lot of the things you need. it has a price tag, but that's part of the cost of doing business.
congratulations on getting the work. 82 images like this is a boatload of work. good luck with it!
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