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02/15/2012 02:25:43 PM · #676			 | 
		
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02/16/2012 10:59:53 AM · #677			 | 
		
		A different Trip 35 & different film.
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02/16/2012 11:45:46 AM · #678			 | 
		
		Paul, very well done. I'm struck by the presumed quality of the negatives. I'm still learning.
  Message edited by author 2012-02-16 11:47:16. |  
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02/16/2012 01:51:09 PM · #679			 | 
		
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02/16/2012 11:56:15 PM · #680			 | 
		
		  ubique Below images from few brands of expired films for comparison.
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02/17/2012 06:22:57 AM · #681			 | 
		
		| Thanks Alex.  It's interesting.  The 'expired' look is actually one that appeals to me.  Maybe because I have an expired look myself these days, alas. |  
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02/18/2012 01:33:43 AM · #682			 | 
		
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02/18/2012 02:46:06 PM · #683			 | 
		
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02/23/2012 06:11:03 AM · #684			 | 
		
		Just an interesting  link for followers of our film forum thread:
 
 "Why I Shoot Film" by Steve Coleman, a landscape photographer.  
 
 Seems like a sensible, thoughtful blogger; he does of course have the considerable advantage of being an Australian. |  
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02/23/2012 06:33:03 AM · #685			 | 
		
		| Thanks Paul, it is truly beautiful work. I hope it inspires a few more to try film. I particularly like his view that the camera is only a small part of the vision. I don't know how many times I've heard this from those who produce outstanding artworks. |  
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03/05/2012 06:56:53 AM · #686			 | 
		
		I keep stopping by to see what's going on.   Made me wonder why I haven't renewed my membership....
 Having fun with instant film from The Impossible Project.  
 
  
  Message edited by author 2012-03-05 06:59:48. |  
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03/05/2012 10:01:23 AM · #687			 | 
		
		| Ah, good to have you back Tom. I'm glad you posted this here. |  
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03/05/2012 07:21:39 PM · #688			 | 
		
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03/05/2012 07:42:25 PM · #689			 | 
		
		| Tom, added details for this image. Camera is a ZeroImage Multiformat (6x6,6x9,6x4.5) medium format pinhole. Aperture is f/235. |  
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03/05/2012 08:45:13 PM · #690			 | 
		
		Tom, you asked about the Spectra. No luck this weekend. Here's the first exposure though to give you an idea. Unimpressive, but I'll keep trying. 
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03/07/2012 07:36:18 AM · #691			 | 
		
		This guy's exposing Instax 210 in a 4x5 and developing it with... a rolling pin: 
 //www.apug.org/forums/forum234/102647-instax-210-film-4x5.html
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03/07/2012 01:04:37 PM · #692			 | 
		
		
 
 Time for an Instax Pinhole, eh Brian? |  
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03/08/2012 09:49:22 AM · #693			 | 
		
		Wow, that is wild. 
 
 Here is an image from the maiden roll of my new to me Mamiya C22.  Developed in Rodinal 1:100, 10 seconds of agitation initially, then 2 inversions every 2 minutes for 20 minutes @ 68F. I thought less agitation would help get more detail out of the ocean as the sun is in the frame. Negatives were a bit underdeveloped, corrected in Lightroom/Nik Silver. 
 
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03/09/2012 02:26:30 PM · #694			 | 
		
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03/10/2012 01:25:33 PM · #695			 | 
		
		      
  Message edited by author 2012-03-10 14:14:03. |  
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03/10/2012 09:20:01 PM · #696			 | 
		
		 
 My wife Tania in labor 31 years ago. Leica IIIf, 50mm f/2.8, Ilford HP5, good old D76.
 
   
 From my brief stint doing freelance photojournalism in the 90s. Nikon F3, 200mm f/4, I think this was Tri-X and D76. The photo editor said this was too "artsy" to print in the paper.
 
   
 Our younger son Roger, circa 1994, as Mom finished cutting his hair. Leica M5 I think, 90mm f/something, also HP5 and D76 I think. |  
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03/10/2012 09:25:00 PM · #697			 | 
		
		  
 Another shot from the same wrestling tournament. I always thought this was hilarious because of the illusion that one wrestler's body is going through the other.
 
  
 One more. My profile photo is a self-portrait I did around 25 years ago. Nikon F, probably, and Agfachrome.
  Message edited by author 2012-03-10 21:26:04. |  
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03/13/2012 04:03:30 PM · #698			 | 
		
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03/16/2012 08:58:27 AM · #699			 | 
		
		I haven't run out of instant film yet...
 
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03/17/2012 03:26:04 PM · #700			 | 
		
		Another project..
 
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