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DPChallenge Forums >> Tips, Tricks, and Q&A >> Multiple-Exposure Composites...
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Showing posts 26 - 36 of 36, (reverse)
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 09/13/2006 08:51:43 PM · #26


This is about 14 images. I can post a bigger one if you'd like!

Lee

Edit: needed an "is" in there

Message edited by author 2006-09-13 20:52:19.
 09/13/2006 10:06:35 PM · #27
My first attempt:


These are fun :)

Message edited by author 2006-09-13 22:07:14.
 09/13/2006 10:49:37 PM · #28
one i did tonight just because of this thread :


09/14/2006 08:55:58 AM · #29
Originally posted by kudzu:
one i did tonight just because of this thread :



Cute! Cute! Cute! A great one to frame for her mom or grandma! ;)

Message edited by author 2006-09-14 08:56:23.
 09/14/2006 10:01:35 AM · #30
Originally posted by idnic:
Cute! Cute! Cute! A great one to frame for her mom or grandma! ;)


yeah... i was smart enough to go ahead and save off a printable copy to give them...

problem is... i'm lazy and will probably forget to tell them about it...
 09/18/2006 03:13:37 PM · #31
Originally posted by Elvis_L:
Originally posted by stdavidson:
Originally posted by idnic:
Originally posted by persimon:
How are y'all doing this? Are you taking multiple shots then layering them?


Yes, you layer all of your shots in PS, then erase out the parts of each layer that need to be 'see-through'. Its really easy once you get going.

I don't like to erase so I mask out the parts I don't want showing through in case I make a mistake and have to fix it later on.


I agree. I mask as well. I do it one layer at a time then I flaten and add the next layer.


What works best seems to me to be something like this: get all the shots that you want to composit as layers in a single document, turn off all layers other than the background and the first 'overlay' layer, add a layer mask to the 'overlay' layer and fill it with black. This will make the layer disappear. Then paint on the mask in white to make reappear the parts of the overlaid layer that you want (this is, in fact, to me, easier that painting in black over the whole of the majority of the image that you no longer want). Repeat this for all the other 'overlay' layers. If the exposure is the same for each shot, then the layer masking does not even have to be too accurate. Sounds simple.
09/18/2006 03:27:00 PM · #32


Here's an interesting one - 10 individual frames taken with a high shutter speed, then combined with varying levels of opacity in Photoshop. The effect is somewhat different to the usual 'angel hair' flowing water effect.
 09/29/2006 06:18:27 PM · #33


A new one today.
09/28/2007 01:08:49 PM · #34
Here's one I just did last night.
 09/29/2007 03:26:33 AM · #35


I did this a while ago.
 09/29/2007 04:58:50 AM · #36


yalls are so much better
thinking abot making another one pretty soon
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