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DPChallenge Forums >> Hardware and Software >> Why must I manually convert to sRGB?
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Showing posts 1 - 11 of 11, (reverse)
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07/09/2007 10:28:32 AM · #1
I noticed recently that when I save for web (CS3) it is changing the color of my pictures. I noticed that CS3 has the option to convert to sRGB when you save for web.

I have "Proof colors" checked, working space is sRGB, and camera is set to sRGB. So now to avoid changing the color when I save for web, I have to manually convert it before I do my editing. Since everything appears to be setup correctly, why do I need to do the manual conversion?

The only change I've done is calibrate my monitor with the Huey Pantone Pro (big difference!) and Proof Colors makes a big difference. Previously it made little difference whether Proof Colors was checked or not. Perhaps all along I should have been manually converting to sRGB?

Thanks!
07/09/2007 10:31:26 AM · #2
Where do you find sRGB in cs3? Is it the same as "windows RGB"?

Message edited by author 2007-07-09 10:31:50.
07/09/2007 10:35:42 AM · #3
Originally posted by LanndonKane:

Where do you find sRGB in cs3? Is it the same as "windows RGB"?


I'm at work now so am going from memory...

I believe under the Edit menu is where you setup your working space. Windows RGB is under Proof Setup, but I don't remember which menu, but I think it's under View.
07/09/2007 11:45:58 AM · #4
Proof colors shows you what it could look like if you converted to that color space. It doesn't actually change the space. If your image is sRGB and your working space is sRGB, turning on soft proofing set to sRGB shouldn't produce shifting. There also should be no major shift regardless of having convert to sRGB checked in the SFW optimize menu.
07/09/2007 11:57:12 AM · #5
Originally posted by TechnoShroom:

Proof colors shows you what it could look like if you converted to that color space. It doesn't actually change the space. If your image is sRGB and your working space is sRGB, turning on soft proofing set to sRGB shouldn't produce shifting. There also should be no major shift regardless of having convert to sRGB checked in the SFW optimize menu.


That makes sense, but there was still the shift. What I still don't understand is why I can't bring the sRGB image into CS3, with a working space of sRGB, and then still have to convert to sRGB. Does CS3 change the image during conversion?
07/09/2007 12:05:10 PM · #6
Originally posted by mad_brewer:

Originally posted by TechnoShroom:

Proof colors shows you what it could look like if you converted to that color space. It doesn't actually change the space. If your image is sRGB and your working space is sRGB, turning on soft proofing set to sRGB shouldn't produce shifting. There also should be no major shift regardless of having convert to sRGB checked in the SFW optimize menu.


That makes sense, but there was still the shift. What I still don't understand is why I can't bring the sRGB image into CS3, with a working space of sRGB, and then still have to convert to sRGB. Does CS3 change the image during conversion?


Your settings must be off because if you bring in a sRGB image into a sRGB working space and then save for web there shouldn't be much difference (there will be some minor differences because of JPG compression) regardless if you select the convert to sRGB option or not.

You said there's a big difference when you have soft proofing on. In this case that indicates a problem. When you get home you should post your color settings.
07/09/2007 12:10:20 PM · #7
Originally posted by TechnoShroom:

Originally posted by mad_brewer:

Originally posted by TechnoShroom:

Proof colors shows you what it could look like if you converted to that color space. It doesn't actually change the space. If your image is sRGB and your working space is sRGB, turning on soft proofing set to sRGB shouldn't produce shifting. There also should be no major shift regardless of having convert to sRGB checked in the SFW optimize menu.


That makes sense, but there was still the shift. What I still don't understand is why I can't bring the sRGB image into CS3, with a working space of sRGB, and then still have to convert to sRGB. Does CS3 change the image during conversion?


Your settings must be off because if you bring in a sRGB image into a sRGB working space and then save for web there shouldn't be much difference (there will be some minor differences because of JPG compression) regardless if you select the convert to sRGB option or not.

You said there's a big difference when you have soft proofing on. In this case that indicates a problem. When you get home you should post your color settings.


I just read that when you convert from raw there's a setting for colorspace. I'm thinking that it's set wrong - I'll report back later. Thanks.
07/09/2007 12:17:28 PM · #8
Originally posted by mad_brewer:


I just read that when you convert from raw there's a setting for colorspace. I'm thinking that it's set wrong - I'll report back later. Thanks.


That's what I was gonna ask; are you converting from RAW? If so, you need to specify colorspace in that conversion or it will default to (I think) Adobe RGB...

R.
07/09/2007 07:46:09 PM · #9
Originally posted by Bear_Music:

Originally posted by mad_brewer:


I just read that when you convert from raw there's a setting for colorspace. I'm thinking that it's set wrong - I'll report back later. Thanks.


That's what I was gonna ask; are you converting from RAW? If so, you need to specify colorspace in that conversion or it will default to (I think) Adobe RGB...

R.


That's it - it was set to Adobe RGB. What's interesting here is I never noticed much of a difference until I calibrated my monitor with an instrument instead of my eye.

07/09/2007 08:57:14 PM · #10
Originally posted by mad_brewer:

Why must I manually convert to sRGB?

sRGB is the official religion of the new world order. You must convert or die. I used to be a CMYK monk, but have seen the light.
07/09/2007 09:04:05 PM · #11
Originally posted by mad_brewer:

That's it - it was set to Adobe RGB. What's interesting here is I never noticed much of a difference until I calibrated my monitor with an instrument instead of my eye.


It's a good idea to set the Color Management Policies for RGB, CMYK, and Gray to Preserve Embedded Profiles. Below that you want to make sure all the boxes are checked for Profile Mismatches and Missing Profiles. With those options it would have alerted you that you were opening an aRGB image in the sRGB color space you wanted to work in.
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