DPChallenge: A Digital Photography Contest You are not logged in. (log in or register
 

DPChallenge Forums >> Hardware and Software >> Do you really need f2.8???
Pages:  
Showing posts 1 - 23 of 23, (reverse)
AuthorThread
01/23/2006 07:40:51 AM · #1
Do you really need f2.8 for indoor sports shooting?

I'm planning on buying a sigma 70-200 f2.8, but probably I will have to sell my nikon 70-300mm f4-5.6D ED. And I think I will miss very much the 300mm end because of reach. I saw that the sigma 100-300mm f4 has very fine reviews, and it's only half the stop more. And when I got the money for the tleconverter I will have the reach for some sports like surf and kitesurf.

I'm so divided right know. Or should I lay still and buy the sigma 170-500 for the extra reach?

Any advice or experienced with the aove lenses are more than wellcome.
01/23/2006 07:56:48 AM · #2
I wouldn't want to try anything smaller for indoor shots than f2.8. My Christmas present to myself was the 70-200 f2.8 VR and I haven't used the 70-300 f4-5.6D ED since, not once!

One of the first set of shots with the f2.8, concidentially, happened to be of kitesurfers at dusk. I was very happy with the results but I also am considering the various teleconverters available. I'm leaning towards the TC17e for the 1.7 times magnification without too much compromise in aperture.

BTW, where do you go to shoot kitesurfing?
01/23/2006 07:59:15 AM · #3
get the 70-200...it's worth it (or the 80-200)...

80-400 VR would be my second choice...but preferably I'd have the 80-200 and a 300 f/4 w/ 1.4 TC
01/23/2006 08:02:31 AM · #4
I absolutely recommend a 2.8 (or better) if you can afford it, for any sports work, especially indoors. I shoot most of my sports with a 180mm 2.8 Nikkor. There are times when I wish I had a zoom, but in general a fixed focal length is not a problem, and having good, fast glass is worth it. Even with f2.8, I am shooting indoors at ISO 800, because I prefer not to use a flash.
01/23/2006 08:38:13 AM · #5
I was considering that lense with a Canon mount myself.

Until I read that it can have some Chromatic Aberration. Some people have written that it has very little, others have written that the Chromatic Aberration with this lense can be rather strong.

I have also read that not all of these lenses are made alike, as it was suggested some might be better constructed then others. (Which could explain why some people saw very little Chromatic Aberration and others saw quite a bit.)

I would recommend, if you could, borrowing the lense for a day of shooting and see what results you get with it.

I have a lense that has some Chromatic Aberration issues that ruined otherwise good shots of some tigers at the local zoo and thus, I am extremely leary of any lense that mentions it has some Chromatic Aberration issues.
01/23/2006 08:44:07 AM · #6
I really like the 70-200mm f2.8 (from sigma, I can't afford nikon)but I think I will need the 2x teleconverter for reach. I really drooll over the sigma 120-300mm f2.8 - it looks like a canon.

The price from the sigma is like the 80-200 f2.8 in second hand.
01/23/2006 09:45:02 AM · #7
Get the Sigma 120-300 f2.8
01/23/2006 09:53:02 AM · #8
I wish... I would be put to sleep im my cat's bed if my wife knew that would send that money in a lens. :)

01/23/2006 10:08:35 AM · #9
Originally posted by Nuno:

Do you really need f2.8 for indoor sports shooting?

I'm planning on buying a sigma 70-200 f2.8, but probably I will have to sell my nikon 70-300mm f4-5.6D ED. And I think I will miss very much the 300mm end because of reach. I saw that the sigma 100-300mm f4 has very fine reviews, and it's only half the stop more. And when I got the money for the tleconverter I will have the reach for some sports like surf and kitesurf.

I'm so divided right know. Or should I lay still and buy the sigma 170-500 for the extra reach?

Any advice or experienced with the aove lenses are more than wellcome.

I think the answer lies in where your priorties are. If you want to shoot indoor sports you'll need f2.8 (or perhaps a faster prime) but 200 is plenty of reach. For the outdoors stuff like surfing and kiteboarding the reach is more important than a fast aperture because you will have far better light.

I have that Sigma 70-200 f2.8 and love it for it's sharpness. It works well with a 2x teleconverter if the light is real good. But I find myself using my 85 f1.8 and my 50 f1.8 most of the time for HS basketball games. If the lighting is good enough to shoot at f2.8 I'll switch to a 28-70. But that's just me. I like to get close and usually wind up shooting only one end of the court.

Message edited by author 2006-01-23 10:36:27.
01/23/2006 11:00:28 AM · #10
Originally posted by Nuno:

I wish... I would be put to sleep im my cat's bed if my wife knew that would send that money in a lens. :)


If your wife is like mine, you would not get that lucky and you'd wind up in the cat's litterbox instead.
01/23/2006 01:54:53 PM · #11
Generally, indoor sports do not have enough light for a telephoto with a max aperature of f4 to stop motion or prevent camera shake since the shutter speed will be slow.

If I remember correctly, going from f4 to f2.8 is considered on full stop, which means that twice as much light will be available, hence doubling your shutter speed.


01/23/2006 02:09:08 PM · #12
Sequence of f-stops in 1 stop increment:

1, 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22...

And the short answer is yes, the faster the better for sports, f/2.8 is a bare minimum for shooting indoor sports without strobes.
01/23/2006 02:12:47 PM · #13
My favorite lens of all time for indoor or lowlight shots is my Olympus 50mm f1.2

Sadly I don't shoot film very often anymore but its sitting around just in case, man that was a fast lens...
01/23/2006 06:22:55 PM · #14
Originally posted by doctornick:

Sequence of f-stops in 1 stop increment:

1, 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22...

And the short answer is yes, the faster the better for sports, f/2.8 is a bare minimum for shooting indoor sports without strobes.


Thanks for the f-stop review. I needed that My math was wrong I gess.
01/23/2006 06:33:07 PM · #15
Yes, you absolutly need 2.8 or less! If you can, try to get a Canon 200/1.8

edit: Just noticed you had a Nikon camera. :-) So forget about the Canon lens! }:-]


Message edited by author 2006-01-23 18:34:09.
01/24/2006 10:41:10 AM · #16
Nikon has a 200mm/1.8 don't they?
01/24/2006 10:48:28 AM · #17
Nikon has a 200 2.0

Message edited by author 2006-01-24 10:48:58.
01/24/2006 10:55:20 AM · #18
I have a f/2.8 lens, but I rent a f/2 lens when I shoot basketball and hockey. The cost to me is $50 per weekend
01/24/2006 11:11:05 AM · #19
Originally posted by terje:

Nikon has a 200mm/1.8 don't they?


Canon used to have a 200mm/f1.8, but, they stopped production since it used lead and/or arsenic in some of the optical elements. It's highly regarded as one of the best EOS lenses ever. I don't know, since I've never actually shot with one. I've just seen enough pictures to be covetous. Occasionally, they pop up for sale on ebay or FredMiranda, but they are quite expensive. I know that you can rent one several places, but aside from Calumet in Chicago, I'm not sure exactly where.
01/24/2006 11:15:32 AM · #20
Originally posted by Megatherian:

Nikon has a 200 2.0


It looks as expensive as it looks good. :)
01/24/2006 11:19:47 AM · #21
f2.8 is absolute minimum. I occasionally shoot my friends basketball games and I use my Tamron 28-75/2.8 or MF Nikkor 50/2.0. If I was to shoot indoor sports "for real" I'd definitely get a fast prime lens or two, probably f1.8. ISO 1600 is almost essential to get the shutter speed required to freeze motion.
01/24/2006 11:20:45 AM · #22
i wouldn't even attempt shooting indoor sports at anything slower than 2.8

2.8 at 1600 is even hard sometimes.
answer - yes that extra stop will mean the world to you in this situation.
VR doesn't really do much for sports, it will stop camera shake, but in indoor sports you still get motion blur if you shoot at slower shutters.
01/24/2006 11:54:14 AM · #23
I wondered the same thing - my sigma 70-300 4-5.6 stays at 4 till almost 200mm, so what's the biug deal, right? LOTS of big deal. Hard to explain, but you'll know it when you see it so to speak.
Pages:  
Current Server Time: 09/22/2025 03:58:55 PM

Please log in or register to post to the forums.


Home - Challenges - Community - League - Photos - Cameras - Lenses - Learn - Help - Terms of Use - Privacy - Top ^
DPChallenge, and website content and design, Copyright © 2001-2025 Challenging Technologies, LLC.
All digital photo copyrights belong to the photographers and may not be used without permission.
Current Server Time: 09/22/2025 03:58:55 PM EDT.