DPChallenge: A Digital Photography Contest You are not logged in. (log in or register
 

DPChallenge Forums >> Photography Discussion >> Don't know a lick about lighting
Pages:  
Showing posts 1 - 3 of 3, (reverse)
AuthorThread
12/17/2004 12:57:34 PM · #1
I'm a little confused as far as lighting goes, and I don't have any professional lighting equipment. How exactly are shadows supposed to be cast in a photo- in order for it to look appropriate. Is there a setup to eliminate all shadows? I wish I could post an example but this is for the challenge, so I don't want to post out takes. All I've got are a few household lamps, and I've been using a sheet of white paper over the bulbs to reduce harshness & obviouse light reflections bouncing of objects in the frame. Maybe if you could post examples of photos with shadows that work in the picture, a bad example of a shadow cast, and if it's possible- no shadows & how that's accomplished. Sorry, I just have no idea what to do & I don't want to get voted down on a light situation I could have easily changed. Thanks.
12/17/2004 01:08:30 PM · #2
One cheap populat 'home studio' light is a halogen worklight.
//www.sears.com/sr/javasr/product.do?BV_UseBVCookie=Yes&vertical=TOOL&pid=03473925000 often on sale for $19.99.

Any direct light will cast shadows. To reduce or eliminate them you need diffuse or reflected light. A white garbage bag or white cotton sheet work well. Hang them between your light and the subject. Similar in concept to a softbox, but the bags are nearly free and a sheet is $5 at walmart.

Reflected light, that is light bounced off of the ceilig or wall or foam core board, etc. You can buy reflectors fairly cheap, or make them cheaper yet. White relfects white, gold adds a warm tone, mirrors make harsh direct reflections, etc. Experiment.

Here is my first attempt at using 3 worklights (on a black t-shirt background)

My Broken entry is MUCH better...purposeful shadows and such.

Generally, for portraiture anyway, you set one light up high pointing at your subject. You have another one low and to the otehr side a bit, to reduce shados off hte nose, eyebrows, etc. You then add another at the back ofthe head for a hair light, or at the backdrop. If you get harsh shadows, then add a diffuser (sheet, etc) or reflect the light. Instead of a second light you can use a reflector - which is also very handy when outside to remove shadows or brighten up the front or underside of a flower for example.

Search the web on lighting...lots of info out there.
i ahve yet to play with flash in a studio or much at all...still getting the pieces and learnign with regular lighting.

Message edited by author 2004-12-17 13:09:25.
12/17/2004 01:27:55 PM · #3
A favorite piece of advice (from art classes, not photography classes) is to **just look at it**. In other words, don't draw it, don't photograph it, don't do anything but observe. Pay close attention to how the shadows are formed in relationship between the distance from the source and the SIZE of the source -- this is what softboxes are about. Put your object right next to the window. Put the object a foot from the window. Put the object a yard from the window. Put the object all the way across the room from the window. Try the same experiments with a bare light bulb and see how the shadows change.
Pages:  
Current Server Time: 08/09/2025 10:53:59 AM

Please log in or register to post to the forums.


Home - Challenges - Community - League - Photos - Cameras - Lenses - Learn - Help - Terms of Use - Privacy - Top ^
DPChallenge, and website content and design, Copyright © 2001-2025 Challenging Technologies, LLC.
All digital photo copyrights belong to the photographers and may not be used without permission.
Current Server Time: 08/09/2025 10:53:59 AM EDT.