| Image |
Comment |
| 03/07/2007 09:02:16 PM |
All tied up.by docjonnyComment: I like the composition but the sharpening was too aggressive leaving unnatural looking highlights. |
 Photographer found comment helpful. |
| 03/07/2007 08:54:35 PM |
red brollyby markdonComment: I like the image a lot but the saturation seems pretty over the top |
| Photographer found comment helpful. |
| 03/07/2007 08:51:21 PM |
Contemplating Malevolenceby CutterComment: the cloven hoof is a coup de grace. this seems to be two people viewing an exhibit that I would really like to see. |
| Photographer found comment helpful. |
| 03/07/2007 08:41:13 PM |
Cover Meby PixlmakerComment: I love the lighting and exposure on this. very nice.
the space between the cloth and the leg is jarring plus bringing the right leg in would have smoothed the curve of the waist and hip |
| Photographer found comment helpful. |
| 03/07/2007 08:38:04 PM |
Pattini Rossiby nsoroma79Comment: a little softer focus would have worked.
a wide brimmed red hat covering the entire face save the lips would have been more striking |
| 03/07/2007 08:30:59 PM |
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| Photographer found comment helpful. |
| 03/07/2007 08:28:05 PM |
41by robadsyComment: I wish I could pan like that. really nice work. |
| Photographer found comment helpful. |
| 03/07/2007 08:26:36 PM |
On Displayby neophyteComment: really great subject. I see some sharpening halos around the high contrast areas so it was probably a little too much. |
| Photographer found comment helpful. |
| 03/07/2007 08:23:26 PM |
Royal Mailby dj29shrewComment: unfortunately this post box appears to lean to the left. also, I think a wider crop would be more pleasing since the subject isn't abstract |
| 03/07/2007 08:19:21 PM |
Inspi(red)by phototureComment: I'm guessing from the moire pattern in the image that you took a picture of a monitor. selecting a shutter speed that is an even multiple of the refresh rate helps avoid those issues. for tv signals standard ntsc is 60hz and pal is 50hz |
| Photographer found comment helpful. |
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