| Image |
Comment |
| 02/06/2014 01:04:31 PM |
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| 01/31/2014 01:34:27 AM |
04/52 - their slow danceby mitalapoComment: Originally posted by mariuca:
If you won't indicate the place of your shots you'll get a punishment (to be decided)! |
sounds like an arrangement...
p.s. I am thinking of adding the location a week after the initial submission
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| 01/30/2014 03:48:22 PM |
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 Photographer found comment helpful. |
| 01/30/2014 03:42:41 PM |
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| Photographer found comment helpful. |
| 01/30/2014 03:25:34 PM |
let it rideby jmritzComment: there are a few hints I can hang on to, all the reset is pure guesswork. I tend to think of an upside down self inflicted light. I am fine with being completely off. well done. |
| Photographer found comment helpful. |
| 01/29/2014 08:42:20 AM |
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| Photographer found comment helpful. |
| 01/29/2014 08:34:35 AM |
Week 4 - Waitingby AnnComment: took me a couple seconds to make sure the far guy is not a reflection. Nice! |
| Photographer found comment helpful. |
| 01/29/2014 08:29:22 AM |
03/52 - Ha!by mitalapoComment: Originally posted by hahn23:
Creative choice of depth of field. Effective! Very nice tones. Just noticed the assault rifle. Yikes! |
Originally posted by Bear_Music:
Whoa, that's gorgeous. What's with the weapon? Where IS this? |
Originally posted by mariuca:
to be young and on a bicycle!
please write the location - |
Photo was taken in Jaffa, Israel. The scene was pretty surrealistic, even in local terms. I prefer leaving this free to your interpretations, so won't share my own (which may be wrong too).
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| 01/27/2014 05:06:55 PM |
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| Photographer found comment helpful. |
| 01/27/2014 04:55:44 PM |
by the way and backby mitalapoComment: From the photo essay thread:
Originally posted by daisydavid:
A journey of connectivity and continuity, reinforcing characters using different framing. I feel the journey and can extrapolate from the reality, probably what I'm hoping for in insteps essay |
Originally posted by Cory:
A very clever photoset drawn together via a walk in third party - love the reversal, as it gives additional depth. |
Originally posted by posthumous:
This is a good example of how following a pattern can create a strong, cohesive experience. First of all, every image has large, blurred foreground figures, blurred not just because of DOF, but because of motion. The motion starts off to the right, then an old lady in the background stops the momentum and turns all motion to the left, which is accomplished in a very simple way: simply flipping all the photos... Until an old man in the background puts a stop to that and sets the cycle in motion all over again.
As well as bringing up themes of pulse, rhythm, lack of progress, there is the simple fascination of seeing an image both ways. Some images feel different in each orientation, some images feel "wrong" or off-balance in one of the directions.
These simple "rules" or patterns combine for a complicated but coherent experience. It's also just plain fun. |
Originally posted by herfotoman:
Dislikes
The image of the girl on her father's shoulders is the only one where there is a lack of depth of field, it does not fit as well as the others.
Likes
Never mind if you're coming or going, we are all in a loop. Becomes more tragic with each passing. We are normally so focused on the movement to get to the destination, we miss the ones that are stationary. |
Thank you all for your kind words and consideration. |
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