PINK DUSK
by rodfulk

Comment:
A very good crappy photograph, which is one of my favorite things. Sometimes when a photograph seems to be about nothing much at all, and is certainly not about 'photography' for its own sake, it attains a kind of vernacular distinction and even dignity. This is one of those. I like it. 7.

Midday Train
by bvy

Comment:
That's moving! Even a bit of Doppler red shift appearing. So I think it's relatively good (sorry ... awful pun). 7.

Opposing Turn 4
by Blackbox

Comment:
Brutally good. Turn radius seems too tight to be true, but just right for a photograph.

eucild@WarpSpeed
by ralph

Comment:
That's ridiculous. That's not a bad thing; I like ridiculous. 7.

Cornucopia (B&W)
by zeuszen

Comment:
It's odd that Deb says that, because I am affected in the same way. It has an unexpectedly melancholic undertone. The cornucopia reference is optimistic enough, but there's something a little sad as well. Maybe it's the track leading into the forest? As if something or someone has passed that way and won't be seen again. I'm reading too much into it, I know.

I like it both less and more than the J-JB grain photograph. Less because it's not so graphically striking as his. More because it ultimately invites a deeper level of reflection. Maybe too deep, in my case! (I get out of my depth so easily)

Thurber's Dog
by Germaine

Comment:
You are astonishing. In addition to the dog, I can't avoid the conviction that I am about to see this man start walking up the shadow like stairs.

Tail lights
by Melethia

Comment:
Best era of auto design ever, bar none. I was designed about the same time (well I'm cheating by a few years in this case). My tail lights are not so memorable, alas.

Headlights
by Melethia

Comment:
Rachel will be pissed at you. Her turf. However, I think she'll be impressed as well. I know I am.
Nice set of headlights, BTW.

Waist
by zeuszen

Comment:
Beautiful movement here. It got me thinking about how one thing can suggest another. The colours are bright and uninhibited, and that tells me what kind of movement to see. In this case I think of something like West African. Lots of waist, in fact. And open, libidinous music. Had the colours been instead pastels I'd have had to imagine a different kind of movement entirely. Less waist. And a more contained music.

It's also an erotic photograph (much more so than any nude). See? One thing does indeed suggest another!

Early Bird
by Germaine

Comment:
You are a Wharf Tart, ain't cha?

Nothing wrong with that. I'm a Horse Whore, I guess. Crikey; that doesn't sound right.

Anyway, it's another fine example of why the LB leaves the viewer to do some work. It really is the most accommodating lens ever made.